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Week 1 |
date: |
Syllabus
Overview - REVIEW Handout
Expectations, Requirements, Objectives, Best Practices.
Assignments:
- Begin Sketchbook
- Reflect Theme
2018-19 Objects in Mirror Are Closer Than They Appear
- Portfolio presentations Intermediate
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Artists:
Joseph Nicéphore Niépce / Louis Daguerre
William Fox Talbot - Pencil of Nature
This site contains the full text of William Henry Fox Talbot’s writings contained in The Pencil of Nature
published in London between 1844 and 1846.
http://www.thepencilofnature.com/
Reading:
Local Galleries and Suppliers
Masters
of Photography - Good starter site for Analogue Masters
http://www.masters-of-photography.com/
Lomographic
Society
http://www.lomographics.com
Artspace
http://www.artspace.com/tags/photograph
Art.com
http://www.art.com/gallery/id--c23946/photography-prints.htm
Camera Reviews
http://dpreview.com
http://www.keh.com
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Week 2-3 |
8.20-27 |
Lecture:
Vision
Camera Obscura
Camera Lucida
Camera Fundamentals
Assignments:
Begin Self Portraits
FINISH Intro Presentations |
Reading:
Focus on Photography - Chapter 1
Incident involving the discovery of Fairies
https://en.wikipedia.org/wiki/Cottingley_Fairies
Artists:
Eugene Atget
https://en.wikipedia.org/wiki/Eugène_Atget
Paul Strand
http://youtu.be/jSLCTI1BTdw
Manhatta (1921) is a short documentary film directed by painter Charles Sheeler and photographer Paul Strand.
http://en.wikipedia.org/wiki/Manhatta
http://www.nytimes.com/2008/11/09/movies/09kehr.html?_r=0
John Herschel
Fredrick Scott Archer
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Anna Atkins -
http://en.wikipedia.org/wiki/Anna_Atkins
(née Children; 16 March 1799 – 9 June 1871) was and English botanist and photographer. She is often considered the first person to publish a book illustrated with photographic images. Some sources claim that she was the first woman to create a photograph
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Week 4 |
9.4 |
Assignments:
Self Portraits - 3-5
DIGITAL PHOTOGRAMS - 3-5 Scans / 3 Final COMPOSITIONS
Lecture:
Beginning Exposure
ISO
White Balance
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Zone
System Introduction: (Digital Application) Practical
Fig 1
Fig 2
Fig 3
Zone System | Wikipedia Entry:
http://en.wikipedia.org/wiki/Zone_System<
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Reading:
Short Course - Chapts. 1-4 / concentration on 3 / Exposure
Focus on Photography - Chapts. 2-4 - Review Elements and Principles / Exposure Basics
Joseph Perrnell - "Is Photography Art?"-
5 Discussion Points /in sketchbook
Moholy-Nagy - From Pigment to Light - 1936
Artists:
Ansel Adams
FRED ARCHER
Lazlo
Moholy-Nagy
https://www.guggenheim.org/exhibition/moholy-nagy-future-present
Moholy - Nagy
Foundation: http://www.moholy-nagy.org/
Wiki: https://en.wikipedia.org/wiki/L%C3%A1szl%C3%B3_Moholy-Nagy
Man Ray
Olivia Parker
http://oliviaparker.com/newindex.php
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SCANNING
Scanning Procedures - Flat Art
Photography - Scanning Procedures Epson : SRJC
Digital Photogram
Objects for Scanning - 3 Dimensional Objects as well as prints or flat
art that you may want to digitize. - (3)
Review Historical Photograms/Montage works:
Photography
- Photograms and Montage Samples
Photography - Scanography - Example Files
Photography - Scanning Procedures
Artists:
Peter Krohn (local)- http://photographicakrohn.com/
Away in Israel until Oct. back to see us following.
Niko Robinson - Student Scanner work
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Foundations of Photography: Exposure
Understand how shutter speed, aperture, and ISO settings relate to one another, and
how these settings expand your artistic options with any photograph.
http://www.lynda.com/Digital-Photography-tutorials/foundations-of-photography-exposure/71923-2.html
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Steven Sasson invented the first digital camera at Eastman Kodak in 1975
http://en.wikipedia.org/wiki/Steven_Sasson
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Week 5 |
9.11 |
Lecture:
Field Notes:
Zone System Exposure Chart
Shot Card Rev.2 for field experiments
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Reading:
Ansel Adams - 3-5 pnts of discussion
A Short Course in Digital Photography: Chapters 4, 5 and 7
Artists:
Eugene Atget
Eastman House Collection: http://collections.eastman.org/advancedsearch/objects/peopleSearch%3Aatget
Wiki:https://en.wikipedia.org/wiki/Eug%C3%A8ne_Atget
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Henry Wessel
http://en.wikipedia.org/wiki/Henry_Wessel,_Jr.
Todd Hido
http://en.wikipedia.org/wiki/Todd_Hido
Robert Adams
About Robert Adams
Robert Adams was born in Orange, New Jersey, in 1937. His refined black-and-white photographs document scenes of the American West of the past four decades, revealing the impact of human activity on the last vestiges of wilderness and open space. Although often devoid of human subjects, or sparsely populated, Adams’s photographs capture the physical traces of human life: a garbage-strewn roadside, a clear-cut forest, a half-built house....
continue reading
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Exposure Assignments:
Shooting in Low Light without a flash. 5-10 Images (2)
Work with the ISO settings, White Balance settings, feel free to experiment,
try to find the lowest
level of light possible to render a readable image.
Use a tripod if you have one.
Student Examples:
ONLINE SPRING LOW LIGHT SUBMISSIONS
http://basearts.com/curriculum/studentwrk/OnlineSpring2016/2016SpringART82LowLight/
Jesse Klein - nitelight
Karl McJimsey - Flora
Justin Stevick - paintingwlight/celestial
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ISO / White Balance Bracketing (3)
- Create sequence of a single shot utilizing
all ISO levels - 8-9 exposures
- Create sequence of a single shot utilizing all White Balance setting. 8-9 exposures
Example Student Work:
http://basearts.com/curriculum/studentwrk/OnlineSpring2016/2016SpringISOWhite%20Balance/
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Beginning Exposure Beginning Bracketing (4)
Point and Shoot Exposure Adjustment
Simple tonal adjustments utilizing the shutter half step.
(Good time to work with (Point and Shoot) exposure controls)
- Working with the half-step shutter lock and/or AF-L
create 3-5 exposures of a given scene showing + and - alternative exposure adjustments.
Exposure Value Compensation
http://digital-photography-school.com/how-to-use-exposure-compensation-to-take-control-of-your-exposure/
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Bracketing Exposures - (5)
- P mode - Working with the half-step shutter lock - AE-L
- (M)Manual mode - Working with exposure scale in camera manual bracketing.
Establish baseline exposure parameters of ISO and White Balance (*manually set)
- AEB - Auto Exposure Bracketing
- EV - Exposure Compensation Value
- 5-15 exposures for each with alternate exposure.
Review and set camera for optional .3/.7 or .5 stop configuration.
1st exposure according to meter reading or on the meter.
2nd + .5 half step or 1/3 stop greater (aperture/ time value / EV - exposure value ) selection or more exposure
(over)
3rd + 1 whole step (full stop) or 2/3 stop greater (aperture/ time value / EV - exposure value) selection (over)
4th .5 half step or 1/3 stop smaller (aperture/ time value / EV - exposure value) selection or less exposure (under)
5th - 1 whole step (full stop) or 2/3 stop smaller (aperture/ time value / EV - exposure value) selection or less exposure (under)
Example Student Work:
http://www.basearts.com/curriculum/studentwrk/OnlineSpring2015/Art82Spring2015ExposureBracketing/
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Week 6 |
9.18 |
Assignment(s):
Self Portraits
1 - formal following convention
2 - alternatives
Critiques:
DIGITAL PHOTOGRAMS - 3-5 Scans / 3 Final COMPOSITIONS
THEME BASED
Lecture:
Photoshop:
Adobe Bridge contin...
Begins... with
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Reading:
TBD
Short Course 4,5,7 (Digital Workflow)
Review - ArtTalk Study Guide Chapter 2
Wear Good Shoes, Advice from Magnum Photographers
A Short Course in Digital Photography: Chapter 5
Artists:
Jim Goldberg
on his documentary practice
http://youtu.be/BzDbugn4XDw
on Sensitivity and Polaroids
http://youtu.be/3mfMjPkxePc
Walker Evans -
wiki : https://en.wikipedia.org/wiki/Walker_Evans
http://www.getty.edu/art/collection/artists/1599/walker-evans-american-1903-1975/
CURRENT EXHIBITION AT the SF Museum of Modern Art
https://www.sfmoma.org/exhibition/walker-evans
Alfred Stieglitz
wiki: https://en.wikipedia.org/wiki/Alfred_Stieglitz
http://www.metmuseum.org/toah/hd/stgl/hd_stgl.htm
http://www.theartstory.org/artist-stieglitz-alfred.htm
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Jerry Uelsmann
http://www.uelsmann.net/
https://en.wikipedia.org/wiki/Jerry_Uelsmann
http://www.pdngallery.com/legends/uelsmann/
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Contact Sheet Demonstrations - See * Examples
http://www.basearts.com/curriculum/studentwrk/OnlineSpring2016/2016Spring2016ContactSheets/ (Links to an external site.)Links to an external site.
(Links to an external site.)Links to an external site.
Using Adobe Bridge Automation Scripts:
Adobe Bridge/Tools/Photoshop/...
Contact Sheet II
Alternative: Files to Layers
Scott Kelby's SlideshowTip and Contact Sheet
-http://www.basearts.com/curriculum/online/ContactSheetScottKelby.htm (Links to an external site.)Links to an external site.
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Creating a Contact Sheet in Photoshop CS6
http://tv.adobe.com/watch/learn-photoshop-cs6/creating-contact-sheets/
(Links to an external site.)Links to an external site.(*optional script would be Files to Layers)
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Using Adobe Lightroom:
Printing Module / Print / Templates
Creating a Contact Sheet: (optional)
http://tv.adobe.com/watch/learn-lightroom-5/creating-a-contact-sheet/ (Links to an external site.)Links to an external site.
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Week 7 |
9.25 |
Assignment:
Gallery Response Form - UnPacked: contemporary works from private collections of Northern California
Critiques:
Self Portraits
1 - formal following convention
2 - alternatives
DIGITAL PHOTOGRAMS - 3-5 Scans / 3 Final COMPOSITIONS
THEME BASED
Lecture:
Photoshop : Layers
PS Best Practice #1 - Duplicate the pixel
based background layer as first step on opening a .jpeg.
PS Best Practice #2 - All adjustments to adjustment layers - no
pixel damage.
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File Types
File Size Resize Issues
Introduction to Layers:
https://helpx.adobe.com/photoshop/how-to/layer-basics-explained.html?set=photoshop--get-started--essential-beginners
Updated! - Adobe TV Photo Editing
http://tv.adobe.com/channel/photography/photo-editing/
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Reading:
TBD
Artists:
John Divola
http://www.divola.com/
Larry Sultan
http://larrysultan.com/
Michael Light
http://www.michaellight.net/
Robert Mapplethorpe
http://www.pbs.org/video/2365747778/
Lauren Greenfield
http://www.laurengreenfield.com/
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Self in Portraits - Work, Home, Hobby, Nationality?) see : Tseng Kwong Chi
http://www.tsengkwongchi.com/ (Links to an external site.)Links to an external site.
Aperture, Self Portraiture in the First-Person Age,
http://aperture.org/blog/self-portraiture-first-person-age/
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Week 8 |
10.2
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Assignments:
Gallery Response Form - Faculty Show, SRJC
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Self Portraits (1)
1 - formal following convention
2 - alternatives
DIGITAL PHOTOGRAMS (2) - 3-5 Scans / 3 Final COMPOSITIONS
And still we rise...
Contact Sheets : (3)
Self Portraits
Digital Photograms
Lecture:
Photoshop Continues ...
- Pixel based Masks
--- Working with layers as masks
- Shadows and Hightlights
- History Brush
- Compositing
- Extract
- Selections - Paths (Pen)
- Blending Options
- Sharpening
- Noise Reduction
- Replacement and Removal techniques / Healing tools
- Color Modes/ LAB /Luminance Sharpening
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Vivan Maier
Vivian Maier - John Maloof Collection
http://www.vivianmaier.com/
the wiki
http://en.wikipedia.org/wiki/Vivian_Maier
Finding Vivian Maier - the film
http://www.findingvivianmaier.com/
http://www.vivianmaier.com/film-finding-vivian-maier/
-------Misc.
the controversial print collection - Jeffrey Goldstein Collection
http://www.vivianmaierprints.com/vivian-maier-images.html
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Chicago Tonight Series:
http://chicagotonight.wttw.com/2012/07/31/vivian-maier
http://chicagotonight.wttw.com/2012/08/02/searching-vivian-maier
http://chicagotonight.wttw.com/2012/08/01/meteoric-rise-vivian-maier
The New Yorker - Vivian Maier and the Problem of Difficult Women
BY ROSE LICHTER-MARCK
http://www.newyorker.com/culture/culture-desk/vivian-maier-and-the-problem-of-difficult-women
PBS - Bringing a portrait of private artist Vivian Maier to the big screen
http://www.pbs.org/newshour/bb/bringing-portrait-private-artist-vivian-maier-big-screen/
PBS - From glamorous to ordinary, Vivian Maier’s street photography captured America’s mid-century urban life- BY DAVID COLES
http://www.pbs.org/newshour/art/from-streets-scenes-of-the-50s-and-60s-to-neighborhood-characters-photographer-vivian-maier-captured-it-all/
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WEEKS |
10.8-26 |
Wildfires MEMORIAL |
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Week 9 |
10. 30 |
MIDSEMESTER - EVAL |
Artists:
Francesca Woodman
https://en.wikipedia.org/wiki/Francesca_Woodman
Sharing a Guarded Legacy - NY Times 2011
http://www.nytimes.com/2011/12/04/arts/design/francesca-woodman-retrospective.html
Diane Arbus *see below
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Diane Arbus - https://en.wikipedia.org/wiki/Diane_Arbus
Previously Unseen Arbus, Unearthed Years After Her Death
http://www.nytimes.com/2016/07/15/arts/design/diane-arbus-met-breuer-in-the-beginning.html
The Diane Arbus You’ve Never Seen MAY 26, 2016
http://www.nytimes.com/interactive/2016/05/29/arts/design/diane-arbus-photos-unseen.html
How Diane Arbus Became ‘Arbus’ MAY 26, 2016
http://www.nytimes.com/2016/05/29/arts/design/how-diane-arbus-became-arbus.html
Diane Arbus: The Early Years JULY 6, 2016
http://www.nytimes.com/2016/07/10/arts/design/diane-arbus-the-early-years.html
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Week 10 |
11.6 |
Assignments:
Artists Profiles : Begin Presentations Nov. 13
Education - Biography - Aesthetic / Style - 680 word minimum
20 images minimum
Home : Due date November 26
addressing the theme of home
Conceptualizing - First Exposures / Critique
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Contact Sheets of Brackets/Equivalents - (3)
LAB:
Beginning Exposure Beginning Bracketing (4)
- AEB - Auto Exposure Bracketing
- EV - Exposure Compensation Value
Point and Shoot Exposure Adjustment
Review and set camera for optional .3/.7 or .5 stop configuration.
1st exposure according to meter reading or on the meter.
2nd + .5 half step or 1/3 stop greater (aperture/ time value / EV - exposure value ) selection or more exposure
(over)
3rd + 1 whole step (full stop) or 2/3 stop greater (aperture/ time value / EV - exposure value) selection (over)
4th .5 half step or 1/3 stop smaller (aperture/ time value / EV - exposure value) selection or less exposure (under)
5th - 1 whole step (full stop) or 2/3 stop smaller (aperture/ time value / EV - exposure value) selection or less exposure (under)
Exposure Value Compensation
http://digital-photography-school.com/how-to-use-exposure-compensation-to-take-control-of-your-exposure/
----
Bracketing Exposures - (5)
- P mode - Working with the half-step shutter lock - AE-L
- (M)Manual mode - Working with exposure scale in camera manual bracketing.
Establish baseline exposure parameters of ISO and White Balance (*manually set)
Simple tonal adjustments utilizing the shutter half step.
(Good time to work with (Point and Shoot) exposure controls)
- Working with the half-step shutter lock and/or AF-L
create 3-5 exposures of a given scene showing + and - alternative exposure adjustments.
- 5-15 exposures for each with alternate exposure.
Example Student Work:
http://www.basearts.com/curriculum/studentwrk/OnlineSpring2015/Art82Spring2015ExposureBracketing/
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William Klein
http://aperture.org/blog/magazine-interview-william-klein/
Hiroshi Sugimoto
http://www.sugimotohiroshi.com/portfolio.html
Stephen Shore
http://en.wikipedia.org/wiki/Stephen_Shore
Sophie
Calle
http://www.egs.edu/faculty/sophie-calle/biography/
Uta Barth
http://utabarth.net/ |
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Week 11 |
11.13 |
Assignments:
Lecture:
working with flash...
Lighting
Good Alternative Manufacturer of speedlite flash units
http://www.hkyongnuo.com/e-index.php
Portrait & Controlled Light
Working with Ambient Light
Flash |
Reading:
Photoshelter - Lighting Handout
-------------------
Harold Edgerton
http://edgerton-digital-collections.org/
Interview with Martin Schoeller
Photographer Martin Schoeller speaks with Feature Shoot about the portrait that launched his career, photographing celebrities and advice for emerging photographers.
https://www.youtube.com/watch?v=IqvGH9A7VIE
George Hurrell
http://georgehurrell.com/gallery/
Richard Avedon
Irving Penn
Philippe Halsman
http://en.wikipedia.org/wiki/Philippe_Halsman - http://www.smithsonianmag.com/arts-culture/10022756.html
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African Portrait Photographers : 1900-1960
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Thanksgiving Holiday
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Week
12 |
11.27 |
Assignments:
2018-19 Working Assumptions: Wrk X Fmly
Photographers Profiles : Begin Presentations Nov. 13
Education - Biography - Aesthetic / Style - 680 word minimum
20 images minimum
Derivative, Shooting in the style
the photographer from your artist profile ... Deadline Dec. 18th
Lab / Lecture:
- Resolution (review)
- File Preparation
- Color Management
- Color Modes
- Papers
Surface/Finish
Texture
Color
Weight
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Artists:
Alice Shaw
http://www.flysfo.com/museum/exhibitions/alice-shaw-exalted-landscape
Lorna Simpson
Mona Kuhn
https://youtu.be/RDngAUrn-Pk
Zoe Leonard - https://en.wikipedia.org/wiki/Zoe_Leonard
Zoe Strauss - https://en.wikipedia.org/wiki/Zoe_Strauss
Reading:
A Short Course in Digital Photography: Chapter 6
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<
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Week 13 |
12.4 |
Assignments:
2018-19 Working Assumptions: Wrk X Fmly
Photographers Profiles : Begin Presentations Nov. 13
Education - Biography - Aesthetic / Style - 680 word minimum
20 images minimum
Derivative, Shooting in the style
the photographer from your artist profile ... Deadline Dec. 18th
Spring Showcase Poster Design Competition - Deadline Jan. 19
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Contact Sheets of Brackets/Equivalents - (3)
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Artists:
John Baldessari
http://www.pbs.org/art21/artists/john-baldessari/
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Week 14 |
12.11 |
Assignments:
2018-19 Working Assumptions: Wrk X Fmly
Photographers Profiles : Begin Presentations Nov. 13
Education - Biography - Aesthetic / Style - 680 word minimum
20 images minimum
Derivative, Shooting in the style
the photographer from your artist profile ... Deadline Dec. 18th
Lab/Lecture:
Lens Selection
Lens Selection:
Link
to external sites of interest regarding lens selection
DPReview Lens Reviews
http://www.dpreview.com/lensreviews/
DP Review Lens Widget:
http://www.dpreview.com/lensreviews/
Tilt- Shift: A DIY guide
http://cow.mooh.org/projects/tiltshift/
Angle of View:
Fig 1
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Artists:
Bernd and Hilla Becher
Aperture Rememberance
http://aperture.org/blog/remembrance-hilla-becher-tk-2015/
Reading:
Photographs Not Taken Jim Goldberg
- from Photographs Not Taken: A Collection of Photographers' Essays,
Edited by Edited by Will Steacy, daylight Community Arts Folundation 2012
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Bokeh
http://www.bhphotovideo.com/explora/photography/tips-and-solutions/understanding-bokeh
Depth of Field and Bokeh - more of the science from Zeiss Camera Lens Division, by H.H. Nasse.
http://basearts.com/curriculum/PDF/TechHandouts/ScienceofBokeh.pdf
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Additional Lens review sources:
Photozone for lens reviews
Thom Hogan for Nikon equipment reviews
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Week 15 |
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Assignments:
2018-19 Working Assumptions: Wrk X Fmly
Photographers Profiles : Begin Presentations Nov. 13
Education - Biography - Aesthetic / Style - 680 word minimum
20 images minimum
Derivative, Shooting in the style
the photographer from your artist profile ... Deadline Dec. 18th
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Reading:
Artists:
Nathon Lyons
http://museum.icp.org/museum/exhibitions/nathan_lyons/index.html
Jenny Holzer
http://en.wikipedia.org/wiki/Jenny_Holzer |
Winter Holiday Break
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Text - Typography
- Text tools
- Vector graphic
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Composition
- tone
- balance
- line
- framing
Collection of composition links:
Rule of Thirds
http://digital-photography-school.com/blog/rule-of-thirds/
More on the Rules of Photography
http://macteens.com/magazine/features/fullstory/the_rules_of_photography/
Holding your Camera at an Angle
http://digital-photography-school.com/blog/hold-your-camera-on-an-angle/
Rules for Landscape Photography
http://digital-photography-school.com/blog/4-rules-of-composition-for-landscape-photography/
Diagonal Lines
http://digital-photography-school.com/blog/using-diagonal-lines-in-photography/
Converging Lines
http://digital-photography-school.com/blog/converging-lines/
Foreground
http://digital-photography-school.com/blog/pay-attention-to-foregrounds/
Framing
http://digital-photography-school.com/blog/framing-your-shots-photography-composition-technique/
http://digital-photography-school.com/blog/5-elements-of-composition-in-photography/
----------------
Rule of Thirds
http://en.wikipedia.org/wiki/Rule_of_thirds
http://en.wikipedia.org/wiki/Image:Rule_of_thirds_1845_George_Field_Chromatics.png
Golden Mean
http://en.wikipedia.org/wiki/Golden_ratio
http://www.cambridgeincolour.com/tutorials.htm
http://www.cambridgeincolour.com/tutorials/camera-lenses.htm
http://www.cambridgeincolour.com/tutorials/hyperfocal-distance.htm |
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2nd Semester / 3rd QTR.
Field Trip - THIS LAND, Pier 24
- Street Photography
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Jan. |
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Lectures and Labs :
THIS LAND, Pier 24
- Street Photography
STREET PHOTOGRAPHY
Digital Workflow
Adjustment Layers based editing
Printing
Procedures - Proof to final
Assignments:
Working Assumptions : Wrk X Fmly
Derivative, Shooting in the style of...
the photographer from your artist profile
PHOTO PLAYBOOK
Execute a selection from the Playbook + Artists Statement and Presentation
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Spring Showcase Poster Design Competition - Deadline Jan. 19
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Reading:
Artists:
Margaret Bourke-White
Tina Modotti
Imogen Cunningham
Nan Goldin - Tate Shots-https://youtu.be/r_rVyt-ojpY
Sally Mann
Sherry Levine
Judy Dater
Annie Liebovitz
Graciela Iturbide
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Feb. |
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Assignments:
WRK X FMLY - Captions, Edits and SUBMISSION
STREET PHOTOGAPHY - Select, Edit and Contact (8-10)
Derivative, Shooting in the style of...
the photographer from your artist profile
PHOTO PLAYBOOK
Execute a selection from the Playbook + Artists Statement and Presentation
Personal Work
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Reading:
Artists:
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March |
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Assignments:
WRK X FMLY - Prints
STREET PHOTOGAPHY - Prints
Derivative, Shooting in the style of...
the photographer from your artist profile
PHOTO PLAYBOOK
Execute a selection from the Playbook + Artists Statement and Presentation
Personal Work
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Reading:
Artists:
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April |
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Lecture/Lab:
Showcase! Saturday Thursday April 6, 10-4pm through April 26
Showcase Preparations :
WRK X FMLY - Selections - Print, Mount, Frame
STREET PHOTOGAPHY - Selections - Print, Mount, Frame
Derivative, Shooting in the style of... - Selections - Print, Mount, Frame
PHOTO PLAYBOOK - Selections - Print, Mount, Frame
Personal Work - Selections - Print, Mount, Frame
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Reading:
Artists:
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May |
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Lab/Lecture :
Studio
Photoshop Continuing...
Assignments:
Animated GIF -
GIF Design Resources are here. <--
Studio Portraits - Before / After
Altered Book - Showcase Assignment from VFA
Personal Work continues...
Final Portfolio - all work compiled as a .PDF fil
PDF Design Resources here. <---
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2019-20 Summer Assignments:
Photo-a-day
Photo-a-day
Make one image per day which represents the day or some variation on strategy presented in advance.
Create a social media outlet for presentation of the daily photo; Instagram, Facebook, or some other emergent form.
A Story of Summer - document an discrete event or an adventure specific to your experience of the summer.
First project of the fall will be to produce in a sequence of images and text which tells this story. This will be printed and presented at Fall showcase.
- to include social media hyperlinks.
Continuing ... Altered Book
Shoot RAW! - througout the summer I would ask that you shoot in RAW / Manual.
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READING:
JULIO CORTAZAR - BLOW-UP
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Saved Readings:
Ansel Adams - .pdf - 344KB - 3 pages
Edward Weston - .pdf - 360KB - 3 pages
Henri Cartier-Bresson- .PDF - 234KB
Robert Adams - Truth - http://www.basearts.com/curriculum/PDF/Readings/RobertAdamsTruth.pdf
Robert Adams - Beauty - http://www.basearts.com/curriculum/PDF/Readings/RobertAdamsBeauty.pdf
Robert Adams - Good News - http://www.basearts.com//curriculum/PDF/Readings/Rbt.Adams.GoodNews.pdf
Robert Adams - Collegues - http://www.basearts.com//curriculum/PDF/Readings/RobertAdams.Collegues.pdf
Susan Sontag - In Plato's Cave- http://www.basearts.com//curriculum/PDF/Readings/SusanSontag.pdf
Susan Sontag - Melancholy Objects - http://www.basearts.com//curriculum/PDF/Readings/SusanSontagMelancholyRev2.pdf
Walter Bejamin, "The Work of Art in the Age of Mechanical Reproduction", 1936 - Excerpt translanted by Harry Zohn
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Copyright and Legal Rights and Responsibilities Resources:
Legal and Photorelease - Resources Listing
PDFs Legal Advice - Photographers Rights - pdfs
Model Release Examples - plain text
PDN: What Photographers Need to Know About Model Releases
http://www.pdnonline.com/features/What-Photographers-N-10515.shtml
Three experts explain when and why you need model releases, including a variety of uses where, without a signed release, photographers can create trouble for themselves and their clients.
Photoshelter Guide to Copyright /copyright
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Usage and Licensing:
American society of Media Photographers (National) http://asmp.org/
American society of Media Photographers (Local)
http://www.asmpnorcal.org/
dpBestflow / American society of Media Photographers / Best Practices Resource:
http://www.dpbestflow.org/
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Shooting Assignments Summary - Intermediate / Adv.
1st Qtr.
(1) - Initial 5-10 Digital Camera images
between the first and the second class meeting - bring these to share on the 2nd class meeting.
(3) - Beginning Exposures
Point and Shoot Exposure Adjustment - Working with the half-step shutter lock and/or AF-L
create 3-5 exposures of a given scene showing + and - alternative exposure adjustments. (3)
(4) - Bracketing Exposures
3 Subjects - 5-15 exposures for each with alternate exposures.
(7) - Contact Sheets of Brackets/Equivalents
Create a minimum of 3 contact sheets documenting bracketing exposure experiments.
(8)- Shooting for Grayscale / Black and White
4-8 images you make which would be appropriate to convert to gray scale - include both full color and grayscale image
---2nd Qtr.
(5) - Equivalents: Depth of Field
5-15 Images which illustrate the side effects of aperture selections.
(6) -
Equivalents: Motion / Blur
5-15 Images which illustrate the side effects of shutter speed / time
value selections.
(10) - Self Portrait - Selfie (10)Try a variety of techniques and poses. You are you own best model. You know exactly what you want you to do. Experiment wih various strategies; self timer, hand held, reflection.
(Variation on
The Selfie - Create a series of 6 images of your self presented in the front of significant locations from your life. Try to create an overall sense of context for the sequence.
- Work, Home, Hobby, Nationality?) see : Tseng Kwong Chi http://www.tsengkwongchi.com/
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(2) - Shooting in Low Light without a flash.
-Feel free to experiment, try to find the lowest
level of light possible to render a readable image.
Night Shooting / Lowlight
Photography 101: Shooting in Low Light course
Photography 101: Shooting in Low Light
http://www.lynda.com/Photography-Cameras-Gear-tutorials/Photography-101-Shooting-Low-Light/163091-2.html
Light Stenciling, compliments of Carolyn Reed:
Here's what it looks like: http://www.fubiz.net/2012/01/30/light-stencils-in-vietnam/
Here's a video on how it's done. http://www.youtube.com/watch?v=1DJsLqwsqlg
Lowlight artist / painting with light + range of lighting equipment
http://www.flickr.com/photos/jannepaint/4287648439/in/photostream/
DP Review: Readers' Showcase: Astrophotography
Click here to take a look at the gallery of images:
http://www.dpreview.com/articles/3579675465/readers-showcase-astrophotography/
(9) - Critique I - Presentation of a representative selection of your portfolio subjects (5-10 of each at minimum 3 times throughout the course.
(11) - Prints - create 3-5 - 8x10 minimum.
(11) - Images of Light
5-15 images of light -- consider the characteristics of the light situations you are encounter.
Images with good or interesting light conditions - focus on the light (diffuse, sharp, moody?)
(12) - Critique II - Show progressive state of your portfolio.
(13) - Final
Portfolio, Presentation and Critique - 1 Subject Presentation / 3 Subjects Total
3 subjects / 20 images each = 60 Images Total
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Foundations Assignments
Equivalents: Depth of Field - (6)
Aperture:
Fig. 1
Fig. 2
Wikipedia Entry:
http://en.wikipedia.org/wiki/Zone_System
Depth of Field Calculator
http://www.dofmaster.com/dofjs.html
Student Work:
Depth of Field
Spring 2015
http://www.basearts.com/curriculum/studentwrk/OnlineSpring2015/Art82Spring2015DOF/
Additional - EXAMPLE FILES - Shooting Assigments
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Equivalents: Motion / Blur - (7)
- Contact Sheet : 5-15 Images in sequence which illustrate the side effects of shutter speed / time
value selections. - (7)
Shutter / Time Values:
Fig 1
Student Work :
Motion Blur Spring 2015
http://www.basearts.com/curriculum/studentwrk/OnlineSpring2015/Art82Spring2015MotionBlur/
Photography - EXAMPLE FILES - Shooting Assigments
Bracketing
Equivalents (Shutter and Aperture side effects)
Wrap up current technical experiments
Black and White - (8) Shooting for Black and White / Gray Scale
Camera RAW for Black&White Mode ONLY!
_ Conversion Methods
_ Previsualization / Exposure, Tonal Considerations
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Shooting Camera RAW for Gray Scale / Black and White
This weeks shooting assignment requires that you configure your camera for Camera RAW capture. This is a setting found in the image Image Quality menu. When shooting in Camera RAW you can generate both a RAW file and a JPEG file - the resulting images are displayed as B/W in the LCD but in editing will contain all color channels and data. If you are not using either Adobe Photoshop or Lightroom - you may want to shoot in this dual file mode so that you will have access to the JPEGs prior to processing. Note: all manufacturers generally include a software application for converting RAW files.
When shooting for black and white images, never shoot with camera's black and white modes. These "creative" modes are almost always reduced data exposures. Always shoot full color and convert your images in the post process through either the camera raw processor or Photoshops many conversion methods. The only exception to this is when shooting in RAW. If you have configured for Camera RAW files then you are able to shoot in the cameras Black and White /Grayscale mode - the resulting images are displayed as B/W in the LCD but in editing will contain all color channels and data.
Submit and comment on 3-5 images you make which would be appropriate to convert to gray scale or black and white as it is known historically. Submit both the original color image and the gray scale image, if converted. Black/White or Gray Scale images can be converted using the Channel Mixer, the Black and White Adjustment layer or the Hue and Saturations adjustment layer. Include both the color and the black and white image.
Add commentary that describes your thinking and your method of conversion.
What makes the images suitable for black and white?
Why shoot in black and white when you can shoot full color?
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Here are optional online tutorials for black and white conversion in Lightroom and Photoshop:
Foundations of Photography: Black and White with Ben Long
http://www.lynda.com/Photoshop-CS5-tutorials/Foundations-of-Photography-Black-and-White/80300-2.html
Converting to black and white
From: Photoshop Artist in Action: Tim Grey's Abandoned Farmhouse with Tim Grey
http://www.lynda.com/Photoshop-tutorials/Converting-black-white/123556/133465-4.html
Converting color to black and white with Julieanne Kost
http://www.lynda.com/Photoshop-tutorials/Converting-color-black-white/122999/137813-4.html
Black and White with Lightroom and Photoshop with Bryan O'Neil Hughes
http://www.lynda.com/Photoshop-tutorials/Thinking-black-white/122444/131805-4.html |
Alternate Assignments:
Cropping 5-n-1 - Take an existing file and crop to create 5 variations on the composition. Focus is on re-framing and composing. Not compositing.
Composite - 1 in 5 - Create an image file from the components or pieces of minimum 5 image files. Create multiple variations on the composition at will.
Bokeh- Create a series of like images of the same subject with various lenses @ largest to smallest aperture bracketed to test bokeh results for all.
Flare / Glare - Create a series of images exploring the selective use of glare /flare with alternate light sources (*sunlight, streetlights (sodium vapor), car lights(halogen).
Tilt Shift - Create a series of landscape images exploring tilt shift or the post focus effect simulating tilt shift. (an optical system (such as a camera) when the lens plane is not parallel to the image plane produces an effect of selective focus. Originally developed to correct for converging parallel lines in aerial photography.
Captioned - Submit 3 images with a brief textual description. Explore the challenges of describing an image to someone with a visual impairement or someone lacking visual acess to the image.
Images of light - 5-15 - (12) - Consider the characteristics of the light situations you are encounter.
Images with good or interesting light conditions - focus on the light (diffuse, sharp, moody?)- not the content of the image
Is there something within the light you could replicate with artificial means?
Alternative: At the edges of light and shadow - Create a series of images exploring the contrast at the edges between shadow and light. Experiment with exposure latitude, extremes between 10am and 2pm with direct natural light. Try the Golden Hour, the Blue Hour.
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