Course Outline : Assignments | Reading List Links Here

Outline

Intro

Self
Student

Camera/System
Previous Experience
Motivation/Objectives
Previous Work - (Following session review)

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email address to basearts.com

Best Practices

Original Files
Working Files

Lab Procedures

File Naming conventions
Storage drives
Temporary Drives
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Regarding working files from disk

Lecture:

Camera (*Digital)

  • CCD/Super CCD/CMOS

    Change couple device - Individual sensors / samples
    Pixel / grain
    Bit Depth

    Shutter speed
    Apeture
    Film Speed - Sensitivity (iso) equivalent to grain /noise in lower light situations
    White Balance
  • Lens

    Focal Length - Shorter focal length - 50mm become 72/105
    Sensory sizes vary although typically smaller than 35mm
    Greater Depth of field,
  • LCD - Liquid Crystal Display


Transport / Storage

  • USB
  • Firewire/ iLink / IEEE1394
  • Serial
  • SCSI
  • Thunderbolt

  • Flash Card
  • Memory Stick
  • CD
  • DVD
  • Memory/Storage
    DVD/CD/INTERNET

  • Cloud - networked

Core File Issues

  • Size Dimensions
  • Resolution
  • File Size (storage)
  • File Type
  • Compression
  • Bit Depth

    Color Models
    Chrominance
    Luminance

Adobe Bridge/Photoshop/Lightroom


Best Practices (Reviewed)
Transport and Organization

File Browser
File Info
CD/DVD
Web Gallery
Contact Sheet II


Selection, Manipulation and Repair

Selections
Croping
Magic Wand
Color Range

Burn / Dodge
Clone
Healing
History

Color/tonal Correction

Levels
Curves
Auto
Color Modes
Conversion (black and white)


Compositing

Layers
Channels
Masks

Scanning

Printing

Color Management
Resolution
Pre-Press File Preparation
File Types

Web Presentation

Image Ready
Optimization
Automation Techniques

Legal / Copyright Issues

Protecting your images
Respecting the work of others

Two Forked Workflow :

Camera RAW

Bridge --> Camera RAW Plugin - Output

Processed - JPEG

Bridge --> Adobe Photoshop -> Layered Workflow - Output

 

Assignments

Shooting in Low Light without a flash.

Feel free to experiment, try to find the lowest level of light possible to render a readable image.

Depending on what you may or may not know regarding ISO, experiment with this setting in your camera as well.

Bracketing Exposures -

3 Subjects - 3-5 exposures for each with alternate exposure.

1st exposure according to meter reading.
2nd + .5 half step greater aperture/shutter selection or more exposure (over)
3rd + 1 whole step (full stop) greater aperture/shutter selection (over)
4th .5 half step smaller aperture/shutter selection or less exposure (under)
5th - 1 whole step smaller aperture/shutter selection or less exposure (under)

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Experiment with White Balance Bracketing.

Depth of Field
3-5 Images which illustrate the side effects of aperture selections.

Motion / Blur
3-5 Images which illustrate the side effects of shutter speed / time value selections.

Shooting for Black and White Conversion - Composing with considerations for enhanced focus upon grayscale tonality, enhanced graphic contrast.

Subject explorations / Framing exercise. Shoot a minimum of 20 images of a single subject from every angle and a variety of compositional arrangements. explore position/ balance/ background/ etc...

3-5 images of light. Where light is the central subject or primary focus of the image. Consider both ambient or existing natural and artificial light sources and utiliting the flash.
Be sure to also experiment with the flash in daylight. What impact does it have ... ?

At the edges of light and shadow - Create a series of images exploring the contrast at edges between shadow and light. Experiment with exposure latitude, extremes between 10 and 2 with direct natural light.

Alternate Assignments:

The Selfie
- Create a series of 6 images of your self presented in the front of significant locations from your life. Try to create an overall sense of context for the sequence.
- Work, Home, Hobby, Nationality?

Aperture, Self Portraiture in the First-Person Age, http://aperture.org/blog/self-portraiture-first-person-age/

Cropping 5-n-1 - Take an existing file and crop to create 5 different image files. Focus is on re-framing and composing. Not compositing.

Composite - 1 in 5 - Create one image file from the components or pieces of minimum 5 image files. Create multiple variations on the composition at will.

Bokeh- Create a series of like images of the same subject with various lenses @ largest to smallest aperture bracketed to test bokeh results for all.

Flare / Glare - Create a series of images exploring the selective use of glare /flare with alternate light sources (*sunlight, streetlights (sodium vapor), car lights(halogen).

Tilt Shift - Create a series of landscape images exploring tilt shift or the post focus effect simulating tilt shift. (an optical system (such as a camera) when the lens plane is not parallel to the image plane produces an effect of selective focus. Originally developed to correct for converging parallel lines in aerial photography.

Captioned - Submit 3 images with a brief textual description. Explore the challenges of describing an image to someone with a visual impairement or someone lacking visual acess to the image.

Arial Almost - shoot from the highest point in any given scene/landscape you choose to photograph.