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Digital Photography
SUMMER 2015

ART 82

Class Schedule: 
Monday-Thursday - 1:00pm - 5:30pm

Location:
2926 Maggini Hall, Santa Rosa Campus

Office Hours:
by appointment

Instructor: John Sappington - jsappington@santarosa.edu - john@basearts.com


Syllabus:
http://www.basearts.com/SRJC.DigitalPhotoSummer2014.htm

Overview:
http://www.basearts.com/DigPhooverview.html

SRJC Open Computer Lab Schedule:

http://online.santarosa.edu/presentation/page/?37555


ANALY HALL - ART COMPUTER LAB HOURS

DATES AND TIMES TO BE DETERMINED

Analy Hall - Shooting Studio by Appointment

DATES TO BE DETERMINED




REPEAT Students <---CLICK HERE

Canon Digital Rebel Manual
 
  -->
Digital Photography Schedule

(subject to change)



Online Photography Resources

CURRENT News and Events Blog:
http://blog.basearts.com

Class Notes
http://www.basearts.com/notes/

Generalized Selection of Photo resources available online and local
http://www.basearts.com/Res.Photo.htm

A broad spectrum list of working/historical photographers
http://www.basearts.com/photographerslisting.htm

A recommended reading list centered around photography and imaging
http://www.basearts.com/Res.ReadingList.htm

basearts selection of resources lists
http://www.basearts.com/resources.html


Day1 6.15.15

Syllabus Overview - REVIEW Handout

Expectations, Requirements, Objectives, Best Practices.

Assignments:

  • Bring Camera to second class meeting with cables (usb/firewire), or card reader.

  • Locate and begin reading Camera Manual - Cover to Cover.

  • Begin JOURNAL of questionable functions, settings, usage, portfolio ideas, reading notes etc...

  • Required Text or Online Digital /Rental - Short Course in Digital Photography, A, 2/E Barbara London, Multimedia Learning Jim Stone
    ISBN-10: 0205066429 ISBN-13: 9780205066421


  • Backup all images on working media/card
    and
  • FORMAT card prior to first shooting assignment.

  • Set Camera to highest resolution / lowest compression.

  • TURN OFF THE FLASH! Until further notice.

  • (1) - Make and Bring 3-5 Digital Camera images to the second class meeting
    - Images should represent your interest in Digital Photography

Reading:

A Short Course in Digital Photography:
Chapters 1, 3 and 9

Supplimental Sites and Web Resources :

Local Galleries and Suppliers

Masters of Photography - Good starter site for Analogue Masters
http://www.masters-of-photography.com/

Lomographic Society
http://www.lomographics.com

Artspace
http://www.artspace.com/tags/photograph


Camera Reviews


http://dpreview.com
http://www.keh.com


Print, Sign and Return field trip liability waiver:
http://www.santarosa.edu/for_students/student_affairs/forms/SRJC_Field_Trip_Activity_Liability_Waiver.pdf


Day2
6.16

Lecture:

Digital Technology

Transferring images from camera/media to system.

Begin fundamentals of camera technology/exposure.

Lab:

Establish Home Directories
Work with camera connection / file transfer
First File Transfers

Reading:

Local Galleries and Suppliers

Moholy-Nagy - From Pigment to Light - 1936

Artists:
Joseph Nicéphore Niépce / Louis Daguerre
William Fox Talbot

John Herschel
Fredrick Scott Archer


Print, Sign and Return field trip liability waiver:
http://www.santarosa.edu/for_students/student_affairs/forms/SRJC_Field_Trip_Activity_Liability_Waiver.pdf


Course Notes : http://www.basearts.com/notes/

Day3 6.17

Lecture:



Assignment: Beginning Exposure - (3)

Point and Shoot Exposure Adjustment - Working with the half-step shutter lock and/or AF-L create 3-5 exposures of a given scene showing + and - alternative exposure adjustments. (3)

- Simple tonal adjustment
- Good time to work with (Point and Shoot) exposure controls

Reading:

A Short Course in Digital Photography: Chapters 4, 5 and 7

Digital Camera Review - Technical Glossary

http://www.dpreview.com/learn/?/Glossary/
http://www.dpreview.com/learn/?/Glossary/Camera_System/



Artists:

Eadweard Muybridge
Paul Strand
Eugene Atget



SCANNING - OPTIONAL -

Artists:

Lazlo Moholy-Nagy
Man Ray

Olivia Parker
http://oliviaparker.com/newindex.php

-----------

Scanning Procedures - Flat Art

Photography - Scanning Procedures Epson : SRJC

Digital Photogram
Objects for Scanning - 3 Dimensional Objects as well as prints or flat art that you may want to digitize. - (3)

Review Historical Photograms/Montage works:

Photography - Photograms and Montage Samples

Photography - Scanography - Example Files

Photography - Scanning Procedures

Niko Robinson - Student Scanner work
more scanner work - various


Exposure Bracketing for Smart Phones


10 Best Apps for Exposure Bracketing (android) | AppCrawlr
http://appcrawlr.com/android-apps/best-apps-exposure-bracketing

25+ Top Apps for Exposure Bracketing (iPhone/iPad
http://appcrawlr.com/ios-apps/best-apps-exposure-bracketing

Day4 6.18

Lecture:

Camera Operation
Exposure Factsheet

view course page for Foundations of Photography: Exposure

Understand how shutter speed, aperture, and ISO settings relate to one another, and how these settings expand your artistic options with any photograph.









http://www.lynda.com/Digital-Photography-tutorials/foundations-of-photography-exposure/71923-2.html

Field Notes:

Zone System Exposure Chart

Shot Card Rev.2 for field experiments

Zone System Introduction: (Digital Application) Practical
Fig 1
Fig 2

Fig 3

Zone System | Wikipedia Entry:
http://en.wikipedia.org/wiki/Zone_System

 

Assignment: Bracketing Exposures - (4)

- P mode - Working with the half-step shutter lock - AE-L
- (M)Manual mode - Working with exposure scale in camera manual bracketing. Establish baseline exposure parameters of ISO and White Balance (*manually set)

- AEB - Auto Exposure Bracketing
- EV - Exposure Compensation Value
- White Balance
Bracketing.

- 5-15 exposures for each with alternate exposure.
- (3)

1st exposure according to meter reading.
2nd + .5 half step greater aperture/shutter selection or more exposure (over)
3rd + 1 whole step (full stop) greater aperture/shutter selection (over)
4th .5 half step smaller aperture/shutter selection or less exposure (under)
5th - 1 whole step smaller aperture/shutter selection or less exposure (under)

------------------------
Review :
Photography - EXAMPLE FILES - Shooting Assigments



Artists:

Edward Weston
Minor White
Ansel Adams
FRED ARCHER

Robert Adams

About Robert Adams

Robert Adams was born in Orange, New Jersey, in 1937. His refined black-and-white photographs document scenes of the American West of the past four decades, revealing the impact of human activity on the last vestiges of wilderness and open space. Although often devoid of human subjects, or sparsely populated, Adams’s photographs capture the physical traces of human life: a garbage-strewn roadside, a clear-cut forest, a half-built house....

continue reading



Day5

6.22

Lecture:


Exposure Factsheet

Equivalent Exposures Continues ... ?

Adobe Bridge Automation Techniques:
PDF based Contact Sheets and Presentations
Multiple Files to Layers - Manual Composite/Contacts

Photoshop:

Adobe TV - introduction
http://tv.adobe.com/show/learn-photoshop-cs6/

GS-01: Switching and saving workspaces
http://tv.adobe.com/watch/learn-photoshop-cs5/gs01-switching-and-saving-workspaces/

The Output Module can offer so much more than slideshows. Here we see how it can be used to create contact sheets, two-by-two type prints or a customizable Web gallery.

http://tv.adobe.com/watch/understanding-adobe-photoshop-cs6/adobe-output-module-bridge/

PS Best Practice #1 - Duplicate the pixel based background layer as first step on opening a .jpeg.

Assignment:

Shooting in Low Light without a flash.
- 5-10 Images - (2)

Feel free to experiment, try to find the lowest level of light possible to render a readable image.

Depending on what you may or may not know regarding ISO, experiment with this setting in your camera as well.

Student Examples:

Jesse Klein - nitelight
Karl McJimsey -
Flora
Justin Stevick - paintingwlight/celestial

Other:

Light Stenciling, compliments of Carolyn Reed:
dHere's what it looks like: http://www.fubiz.net/2012/01/30/light-stencils-in-vietnam/
Here's a video on how it's done. http://www.youtube.com/watch?v=1DJsLqwsqlg

Lowlight artist / painting with light + range of lighting equipment
http://www.flickr.com/photos/jannepaint/4287648439/in/photostream/


Reading:

A Short Course in Digital Photography: Chapters - 2, 3, 4 and 5

Artists:

Henri Cartier-Bresson
http://www.magnumphotos.com/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&l1=0&pid=2K7O3R14T1LX&nm=Henri%20Cartier%20%2D%20Bresson


Hiroshi Sugimoto
http://www.sugimotohiroshi.com/portfolio.html


John Divola
http://www.divola.com/


---
Jerry Uelsmann
http://www.annenbergspaceforphotography.org/exhibition/digital-darkroom

Day6 6.23

Lecture:

Adobe Bridge to Adobe Photoshop- Layers


Field Trip : LIFE, Labor and Purpose - The Photography of Hansel Meith and Otto Hagel

Assignment:

Contact Sheets of Brackets/Equivalents - (5)

Create a minimum of 2-3 files utilizing 1) Output to PDF 2) Files to Layers Experiment with a standard contact sheet layout to document bracketing exposure
experiments/design starts/. - (5)


Cartier-Bresson's Camera


Artists:

Uta Barth
Larry Sultan

Lauren Greenfield
http://www.creativephotography.org/education/educatorsGuides/girlculturefacultyguide/

Henry Wessel
http://en.wikipedia.org/wiki/Henry_Wessel,_Jr.
Todd Hido
http://en.wikipedia.org/wiki/Todd_Hido


Day7
6.24-25

Lecture:

Discussion :
Adams, Weston and Cartier-Bresson

Photoshop:

PS Best Practice #1 -
Duplicate the pixel based background layer as first step on opening a .jpeg.

PS Best Practice #2 - All adjustments to adjustment layers - no pixel damage.

Photoshop



Adobe TV Online Resources for Learning Photoshop - Review Episodes

http://tv.adobe.com/watch/learn-photoshop-cs6/what-is-photoshop-cs6/

http://tv.adobe.com/show/learn-photoshop-cs6/

Assignment:

- Equivalents: Depth of Field - (6)

5-15 Images which illustrate the side effects of aperture selections.
-(5)

Aperture:
Fig. 1
Fig. 2

Wikipedia Entry:
http://en.wikipedia.org/wiki/Zone_System

Depth of Field Calculator

http://www.dofmaster.com/dofjs.html



Artists:

Nick Waplington
Stephen Shore
http://en.wikipedia.org/wiki/Stephen_Shore
John Baldessari
http://www.pbs.org/art21/artists/john-baldessari/
Sophie Calle
https://itunes.apple.com/us/podcast/sophie-calle-lecture/id435584516?i=93669518&mt=2

---
Michael Light
http://www.michaellight.net/


Day8-11 6.29 - 7.1

Lecture/Lab :

  • Workflow :

    Adobe Bridge to Adobe Photoshop

 

Assignment:

- Equivalents: Motion / Blur - (7)

5-15 Images which illustrate the side effects of shutter speed / time value selections. - (7)

Shutter / Time Values:
Fig 1

Review :

Photography - EXAMPLE FILES - Shooting Assigments

Bracketing
Equivalents (Shutter and Aperture side effects)
Wrap up current technical experiments

Reading:

Ansel Adams
- .pdf - 344KB - 3 pages

Edward Weston
- .pdf - 360KB - 3 pages
(first left hand spread of each essay is last page of that essay)

Henri Cartier-Bresson
- .PDF - 234KB



Artists:


Diane Arbus
William Klein
Richard Prince
David Hockney

Adobe Lightroom :

Develop Module Introduction
http://www.lynda.com/Lightroom-tutorials/Develop-module-overview/124393/141813-4.html

Understanding White Balance and Color Temperature
http://www.lynda.com/Lightroom-tutorials/Understanding-white-balance-color-temperature/124393/141819-4.html


Creating a Contact Sheet:
http://tv.adobe.com/watch/learn-lightroom-5/creating-a-contact-sheet/


Using the Histogram to Correct Exposure
http://www.lynda.com/Lightroom-tutorials/Using-histogram-correct-exposure/124393/141827-4.html

Understanding Vibrance and Saturation
http://www.lynda.com/Lightroom-tutorials/Understanding-vibrance-saturation/124393/141836-4.html

Day12-13
7.6-7.7

Assignment:

1st Critique- 5-10 images of your own work - looking toward portfolio subjects. If you haven't made any decisions it could be just images you have made since the beginning of the semester that you believe were good.

Critiques - 5 pnts. Continue through Tuesday.

Evaluation Form <--click here
(Please Complete and Submit from your home system)

 

 

Reading:

Italiano Calvino - Adventures of a Photographer

Artists:
Vivian Mier
Lorna Simpson

Bernd and Hilla Becher

Supplimental Sites and Web Resources :

Slinkachu - Street based installations and photography
http://slinkachu.com/

Vivan Maier

Vivian Maier - John Maloof Collection
http://www.vivianmaier.com/

the wiki
http://en.wikipedia.org/wiki/Vivian_Maier

Finding Vivian Maier - the film

http://www.findingvivianmaier.com/

http://www.vivianmaier.com/film-finding-vivian-maier/

-------Misc.

the controversial print collection - Jeffrey Goldstein Collection
http://www.vivianmaierprints.com/vivian-maier-images.html

-------

Chicago Tonight Series:
http://chicagotonight.wttw.com/2012/07/31/vivian-maier
http://chicagotonight.wttw.com/2012/08/02/searching-vivian-maier
http://chicagotonight.wttw.com/2012/08/01/meteoric-rise-vivian-maier

The New Yorker - Vivian Maier and the Problem of Difficult Women
BY ROSE LICHTER-MARCK
http://www.newyorker.com/culture/culture-desk/vivian-maier-and-the-problem-of-difficult-women

PBS - Bringing a portrait of private artist Vivian Maier to the big screen
http://www.pbs.org/newshour/bb/bringing-portrait-private-artist-vivian-maier-big-screen/

PBS - From glamorous to ordinary, Vivian Maier’s street photography captured America’s mid-century urban life- BY DAVID COLES
http://www.pbs.org/newshour/art/from-streets-scenes-of-the-50s-and-60s-to-neighborhood-characters-photographer-vivian-maier-captured-it-all/


African Portrait Photographers : 1900-1960

 

DATE: Wed.- July 8 @ 3pm

Jeremiah's Photo Corner - LIGHTING DEMO

We will meet at Jeremiah's @ 3 pm for a Portrait Lighting Workshop

Corner of Sebastopol St. and South A

Day 14-15 7.8-7.9

Lecture:

Lighting

- Utilizing Ambient Light
- Flash

Good Alternative Manufacturer of speedlite flash units
http://www.hkyongnuo.com/e-index.php

Lens Selection


Angle of View:
Fig 1


Lens Selection:
Link to external sites of interest regarding lens selection

DPReview Lens Reviews
http://www.dpreview.com/lensreviews/

DP Review Lens Widget:
http://www.dpreview.com/lensreviews/


Tilt- Shift: A DIY guide
http://cow.mooh.org/projects/tiltshift/


Additional Lens review sources:

Photozone for lens reviews
Thom Hogan for Nikon equipment reviews



 

 

 

Artists:

Interview with Martin Schoeller

Photographer Martin Schoeller speaks with Feature Shoot about the portrait that launched his career, photographing celebrities and advice for emerging photographers. 

https://www.youtube.com/watch?v=IqvGH9A7VIE


Reading:

Robert Adams - Truth - http://www.basearts.com/curriculum/PDF/Readings/RobertAdamsTruth.pdf
Robert Adams - Beauty - http://www.basearts.com/curriculum/PDF/Readings/RobertAdamsBeauty.pdf

Optional:
Robert Adams - Good News - http://www.basearts.com//curriculum/PDF/Readings/Rbt.Adams.GoodNews.pdf
Robert Adams - Collegues - http://www.basearts.com//curriculum/PDF/Readings/RobertAdams.Collegues.pdf

Shooting Assignments Summary

(1) - Initial 5-10 Digital Camera images

between the first and the second class meeting - bring these to share on the 2nd class meeting.

(2) - Shooting in Low Light without a flash.
-Feel free to experiment, try to find the lowest level of light possible to render a readable image.

(3)
 - Bracketing Exposures
3 Subjects - 5-15 exposures for each with alternate exposure. -

(4) - Equivalents: Depth of Field
5-15 Images which illustrate the side effects of aperture selections. -

(5) - Equivalents: Motion / Blur
5-15 Images which illustrate the side effects of shutter speed / time value selections. -

(6) - Contact Sheets of Brackets/Equivalents
Create a minimum of 3 contact sheets documenting bracketing exposure experiments. -

(7)
- Photoshop Example File
- create a .PSD file for demonstration and experimentation in PS.

(8) - Critique I -
Make presentation of representative selection of your portfolio subjects (5-10 of each at minimum 3 times throughout the course.

Day 16-
17

7.13/.14

Lecture:

    Photoshop: Printing
    Printing Demonstration - Epson R1900

    Printer :

      • Resolution (review)
      • File Preparation
      • Color Management
      • Color Modes

      adobe RGBsRGB

    • Papers

      Surface/Finish
      Texture
      Color
      Weight

Assignment:

Printing
3-5 prints - 5 pnts. - 8x10 minimum - (9)

Lab:

Printing continues through to the end...


Artists:

Francesca Woodman
Zoe Leonard - https://en.wikipedia.org/wiki/Zoe_Leonard
Zoe Strauss - https://en.wikipedia.org/wiki/Zoe_Strauss


Alice Shaw
http://www.flysfo.com/museum/exhibitions/alice-shaw-exalted-landscape
----
Alexander Gronsky
http://alexandergronsky.com/

Reading:


A Short Course in Digital Photography:
Chapter 6

---

Sample Packs of Inkjet Paper are required for Printing -


Available now at Jeremiah's Photo Corner - $ 9.75
Jeremiah's Photo Corner
http://www.jeremiahsphotocorner.com/Jeremiahs_Photo_Corner/Welcome!.html

----------------------------

Device/Paper Profiles - additional resources http://www.basearts.com/curriculum/Res.Printing.htm

Device/Paper Profiles - additional resources:

INTERNATIONAL COLOR CONSORTIUM
The purpose of the ICC is to promote the use and adoption of open, vendor-neutral, cross-platform color management systems.
The ICC encourages vendors to support the ICC profile format and the workflows required to use ICC profiles.

http://www.color.org/iccprofile.xalter
http://www.color.org/resource2.xalter - Resource Center

MOAB PAPER
http://moabpaper.com/icc-profiles-downloads/
http://moabpaper.com/profile-use-and-installation/

Ilford Paper Profiles
http://www.ilford.com/profiles/index_en.asp?type=profile

Inkpress Paper
http://www.inkpresspaper.com/howtouse.asp


Red River Paper
http://www.redrivercatalog.com/profiles/index.htm

http://www.redrivercatalog.com/profiles/downloads.htm
-----------------


Print Permanence
- An Epson White Paper -
http://www.epson.co.jp/e/technology/print_permanence_basics.htm

Color Field Guide - how to install and apply
Epson's ICC Profile Guide

Red River Paper -How to Install and apply profiles.Epson(PC)
Red River Color Profiles -How to Epson(MAC)


Digital Art Supplies (San Diego based, print supply )
http://www.digitalartsupplies.com

PS Print (LA based commercial printer)
http://www.psprint.com/
Preparing files for print - Pagemaker, Illustrator
http://www.psprint.com/helpcenter/preparingyourfiles/digitalcheck_pm.asp


---------------local printers santa rosa

Jeremiah's Photo Corner
http://www.jeremiahsphotocorner.com/Jeremiahs_Photo_Corner/Welcome!.html

Color Folio
http://colorfolio.com/index.htm

Skylark Images
http://www.skylarkimages.com/

The Lab
http://www.thelabsantarosa.com

Lenny Eiger
http://www.eigerphoto.com/index_ep.php

Day18 7.15 Lecture:  

The World of Inkjet Papers
http://www.freestylephoto.biz/inkjet

PDF of Digital Printing Supply Catalogue
http://www.freestylephoto.biz/static/pdf/catalogs/fs_creative_imaging_catalog.pdf

Freestyle - Inkjet Comparison, Ratings and Reviews
http://www.freestylephoto.biz/inkjet/paper-ratings

Inkjet Papers Glossary
http://www.freestylephoto.biz/inkjet/glossary

Artists:

Harold Edgerton

Richard Avedon
Irving Penn


Philippe Halsman - http://en.wikipedia.org/wiki/Philippe_Halsman - http://www.smithsonianmag.com/arts-culture/10022756.html

Philippe Halsman, with Marilyn Monroe in 1959, started asking all his subjects to jump as a way to loosen up


 

Reading:
Photographs Not Taken Jim Goldberg
- from Photographs Not Taken: A Collection of Photographers' Essays, Edited by Edited by Will Steacy, Daylight Community Arts Folundation 2012


Day19 7.16

Lab:

Critique II -
(11) -Make presentation of representative selection of your portfolio subjects (5-10 of each at minimum 3 times throughout the second half of course.

Assignment:

Self Portraits - Self as Model

3 Selections from a selection of self portraits. Experiment with minimum 3 scenarios
Consider the purpose; as a means to advertise photographic work, a social media profile pic, historical record


Artists:

Cindy Sherman
Chuck Close
Deborah Oropallo

Francesca Woodman

Katy Gannon
Shrin Neshat

Artists:

Rahubir Singh
-
*see wikipedia also
http://www.basearts.com/curriculum/masters/Raghubir%20Singh/


Collection of composition links:


Rule of Thirds
http://digital-photography-school.com/blog/rule-of-thirds/

More on the Rules of Photography
http://macteens.com/magazine/features/fullstory/the_rules_of_photography/

Holding your Camera at an Angle
http://digital-photography-school.com/blog/hold-your-camera-on-an-angle/

Rules for Landscape Photography
http://digital-photography-school.com/blog/4-rules-of-composition-for-landscape-photography/

Diagonal Lines
http://digital-photography-school.com/blog/using-diagonal-lines-in-photography/

Converging Lines
http://digital-photography-school.com/blog/converging-lines/

Foreground
http://digital-photography-school.com/blog/pay-attention-to-foregrounds/

Framing
http://digital-photography-school.com/blog/framing-your-shots-photography-composition-technique/

http://digital-photography-school.com/blog/5-elements-of-composition-in-photography/

----------------

Rule of Thirds


http://en.wikipedia.org/wiki/Rule_of_thirds
http://en.wikipedia.org/wiki/Image:Rule_of_thirds_1845_George_Field_Chromatics.png

Golden Mean

http://en.wikipedia.org/wiki/Golden_ratio

http://www.cambridgeincolour.com/tutorials.htm

http://www.cambridgeincolour.com/tutorials/camera-lenses.htm

http://www.cambridgeincolour.com/tutorials/hyperfocal-distance.htm

Contemporary Japanese Photographers - compliments of anton(Rudolph) kuehnhackl

REN HANG :

http://renhang.org/ (all of his work is on display here, has links to his flickr and tumblr plus facebook)

https://www.youtube.com/watch?v=FdnZlynWFMs (ren hang: the art of taboo. vice japan doc that aired on sep 2nd 2013 extremely good, i highly recommend you watch this.)

KISHIN SHINOYAMA :

http://en.wikipedia.org/wiki/Kishin_Shinoyama (recently discovered his work, fell in love.)

NOBOYOSHI ARAKI :

http://www.nowness.com/day/2014/5/29/3868/nobuyoshi-araki-love-on-the-left-eye/?utm_source=FB&utm_medium=SM&utm_term=01_type&utm_content=nobuyoshi-araki-love-on-the-left-eye%2F&utm_campaign=FB10072014

JOHN SYPAL :

http://tokyocamerastyle.com/ (main website i think? features many different photographers in tokyo and their personal work)

http://petapixel.com/2011/09/12/interview-with-john-sypal-of-tokyo-camera-style/

Day20 7.20
Lecture:

Composition
  • tone
  • balance
  • line
  • framing

Internet Presence / Websites / Automation

  • Image Ready
  • Optimization
  • Batch and Automation
  • Scripting
Text - Typography
  • Text tools
  • Vector graphic


Assignment:

Captioned
- Submit 3 images with a brief textual description. Explore the challenges of describing an image to someone with a visual impairement or someone lacking visual acess to the image.

- William Carlos Wiliams
- Lydia Davis
- Mary Oliver
- Billy Collins

Artists:

Nathon Lyons
http://museum.icp.org/museum/exhibitions/nathan_lyons/index.html

Jenny Holzer
http://en.wikipedia.org/wiki/Jenny_Holzer

Paul Rand
Matthew Carter


Photo Sharing

http://www.webshots.com/
http://www.dpchallenge.com
http://www.flickr.com/
http://www.slide.com
http://www.kodakgallery.com/
http://www.snapfish.com/
http://www.shutterbook.com/home/
http://www.deviantart.com/
http://www.zoto.com/
www.smugmug.com


Commercial Collection:
http://gabrieljeffrey.com/
 
http://www.imagebychristos.com/
 
http://vixpetportraits.com/
 
http://www.studio-ca.se/ 
http://dirkrauscher.de/
 
http://www.reneadler.com/
 
http://www.tedmorrison.com/
  
(Director API driven)http://www.indyrain.com/ 
http://www.sambroadbent.co.uk/
 
http://www.accesi.lv
 

LOCAL:
http://www.svenwiederholt.com/
http://www.peterkoval.com/
http://www.nadavkander.com
http://www.jockmcdonald.com/
http://www.milesaldridge.com/
http://www.marcleclef.com/



Photographer Captures Subjects' Lives by Peeking in Fridges

What’sin your fridge? Photographer Mark Menjivar wants to know. The 33-year-old San Antonio, Texas, native has spent the past four years snapping the insides of people’s refrigerators for “You Are What You Eat,” a photo series that recently inspired his first book, simply titled "Refrigerators," to be published in December. “I was hoping to learn about people through their food — refrigerators are a private space — but more importantly to shine light on how people take care of their bodies and our food supply,” Menjivar tells Yahoo Shine. Here, fascinating fridge photos that capture the lives of 10 very different people. —By Elise Sole

Daniel Kukla: The Edge Effect

DK: “I believe that it is impossible to capture a landscape in the frame of an image. Landscapes are so vast and varied that they engulf the very frame that one holds to it. As an artist that works with the shifting tensions between humanity and nature, landscapes are integral to my work and prove to be both the most frustrating and inspiring subjects to work with.” ...“I work at the juncture of these disciplines, focusing in on capturing evidence as images that have the power to articulate our ever-changing relationship with the natural world. In both science and photography the act of collection is universal. Whether specimen or subject, the collection process allows one to categorize, control, and critically describe one’s findings, and contribute them to the collective work of others in the field.”

http://lenscratch.com/2014/03/daniel-kukla-edge-effect/

Day21 7.21

Lecture:

- Protecting your images
- Respecting the work of others

Copyright and Legal Rights and Responsibilities Resources: 

Legal and Photorelease - Resources Listing

PDFs Legal Advice - Photographers Rights - pdfs

Model Release Examples - plain text

PDN: What Photographers Need to Know About Model Releases
http://www.pdnonline.com/features/What-Photographers-N-10515.shtml
Three experts explain when and why you need model releases, including a variety of uses where, without a signed release, photographers can create trouble for themselves and their clients.

Photoshelter Guide to Copyright /copyright

------------
Usage and Licensing:

American society of Media Photographers (National) http://asmp.org/

American society of Media Photographers
(Local)
http://www.asmpnorcal.org/

Assignment:

Collected

5-15 images of light - (10)

Artists:

Margaret Bourke-White
Tina Modotti
Immogen Cunningham
Nan Goldin
Sally Mann
Sherry Levine
Judy Dater
Annie Liebovitz
Graciela Iturbide

Online Storage / Services

http://www.livedrive.com/

http://www.carbonite.com

Achive and Publishing

Shutterfly
Fastback Creative Books
Digifilm Labs VioVio
Print and Share
Qoop
100 Books Publishing
Xlibris
Album Printer Software
Print My Photobook
Picaboo
MyPublisher
Vision Art Book


Day22

7.22 Lecture:

Business - Usage and Licensing (GETTING PAID)

American society of Media Photographers

(National)
- http://asmp.org/

American society of Media Photographers

(Local)
-
http://www.asmpnorcal.org/

New Photoshelter Guides :

For a Business Plan /business plan

Creating a Porfolio /portfolio

Photographers Guide to Copyright /copyright

PhotoShelter Business Plan Worksheet - http://www.photoshelter.com/mkt/research/

Transitioning from Assistant to Pro Photographer: Free White Paper
In this useful packet, assistants explain how they made the leap to shooting
for their own clientele and managed the financial challenges of their first year in the business.
You can download the PDF here.

Photojojo:

Starting Your Photo Biz… Part 1: You Sure ‘Bout That?
http://photojojo.com/content/photojojo-original/starting-photo-business/


Starting Your Photo Biz… Part 2: What’s In a Name?
http://photojojo.com/content/photojojo-original/photo-business-name/

Starting Your Photo Biz… Part 3: The Nitty-Gritty Business Details

http://photojojo.com/content/photojojo-original/starting-photo-business-details/

Starting Your Photo Biz… Part 4: Fame and Fortune

http://photojojo.com/content/photojojo-original/photo-business-marketing/


Assignment:
Final Portfolio, Presentation and Critique 3
(12) -
- 3 subjects / 20 images each - final presentation of 1 subject 20 images or 2 subjects split 10/10
DISCUSSION:

"The photo wars back then",
Disappearance of Darkness: Photography at the End of the Analog Era
http://www.marketplace.org/topics/life/photo-wars-back-then

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Day23

7.23


Final Critique
is @ 1:00 in Room 2926

Final Portfolio, Presentation and Critique
(12)

Presentations of selections from individual portfolios 20 images. = 10 pnts.

Final Exam is here --> TEST



Reading:

dpBestflow / American society of Media Photographers / Best Practices Resource:
http://www.dpbestflow.org/


Walter Bejamin, "The Work of Art in the Age of Mechanical Reproduction", 1936 - Excerpt translanted by Harry Zohn

All Assignments Due for Completion of Art 82 :

(1) - Initial 5-10 Digital Camera images

between the first and the second class meeting - bring these to share on the 2nd class meeting.

(2) - Shooting in Low Light without a flash.
-Feel free to experiment, try to find the lowest level of light possible to render a readable image.


(3)Objects for Scanning -
3 Dimensional Objects as well as prints or flat art that you may want to digitize. - (3)

OR

(3)LIGHT AND SHADOW /
5-15 exposure bracketed shots with alternate exposures for each.


(4) - Bracketing Exposures
3 Subjects - 5-15 exposures for each with alternate exposure.

(5) - Equivalents: Depth of Field
5-15 Images which illustrate the side effects of aperture selections.

(6) - Equivalents: Motion / Blur
5-15 Images which illustrate the side effects of shutter speed / time value selections.

(7) - Contact Sheets of Brackets/Equivalents
Create a minimum of 3 contact sheets documenting bracketing exposure experiments.

(8) - Critique 1-
Presentation of a representative selection of your portfolio subjects (5-10 of each at minimum 3 times throughout the course.

(9) - Prints - create 3-5 - 8x10 minimum.

(10) - Critique 2

(12) - Final Portfolio, Presentation and Critique 3
- 3 subjects / 20 images each - final presentation of 1 subject 20 images or 2 subjects split 10/10


2873 ALTERNATIVE PROCESSES

M/W 1-4PM 3 units
Exploration and use of various historical, contemporary, and non-traditional applications of silver- and non-silver-based photographic processes, including mixed media. Students produce photo-based imagery using a variety of materials in non-traditional presentations.
Sonoma County Mid-Century Bohemians and Mavericks
Thursday, July 23
6:30 PM - 8:30 PM
History Museum of Sonoma County

Members: $10
Non Members: $15

Listen in on a lively discussion between Les Adler, Renata Breth, and Jonah Raskin as they talk about Sonoma County's beloved artists, writers, scholars and photographers, Hansel Mieth and Otto Hagel, Marguerite Wildenhain, Harry Dixon, and Hassel Smith, and the context of their times. Lured by Jack London's writings and the wish for a simple lifestyle, many were transplants from other countries and large cities. Drawn together by common interests, these mavericks created a thriving creative community in Sonoma County in the mid-century decades during a time period when anti-Communist feeling pervaded most of the country.

Click here to purchase tickets in advance
Image:
Fence Pulling, 1950,
Photograph by Hansel Mieth and Otto Hagel
© 1998 Center for Creative Photography, The University of Arizona Foundation