Basic Digital Imaging
Art 82 - Section # 0195

Location:
Barnett Room 1261

Class Schedule:
 
Tuesdays 4:00 - 7:00

Office Hours:

Monday / Wednesday 3:00 - 4:00 by appointment

Instructor:
  John Sappington - john@basearts.com

Overview
Schedule
Resources


Course Syllabus

Online Syllabus:  http://www.basearts.com/curriculum/SRJC.DigitalImaging.htm
Online Outline: http://www.basearts.com/curriculum/DigImagingOutline.htm

Recommended Texts in...


Digital Imaging (general theory)

The Digital Dialectic: New Essays on New Media, Peter Lunenfeld, The MIT Press, 1999
Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures, Peter Lunenfeld, The MIT Press, 2000

Photography:

Photography, Barbara London, John Upton, Ken Kobre, Betsy Brill, Prentice Hall
Photography, Revised Edition, Henry Horenstein, Russell Hart Prentice Hall
"The Photoshop CS Book for Digital Photographers"
, Scott Kelby, New Riders Publishing, 2004
www.scottkelbybooks.com


Design:

Design Writing Research Writing on Graphic Design
, Elen Lupton & Abbot Miller Phaidon, 1996
Graphic Design Cookbook: mix and match recipes for faster, better layouts, Leonard Koren & R. Wippo Meckler, Chronicle Books, 1989Web Style Guide, Patricia J. Lynch and Sarah Horton, Yale University Press, 2001
Looking Closer 2, Critical Writings on Graphic Design, Edited by Michael Bierut, William Drenttel, Steven Heller, and DK Holland, Allworth Press, 1997
the abc's of (symbols - triangle, square, circle) : The Bauhaus and Design Theory, Ellen Lupton and J. Abbott Miller, editors, 1999 *reprint.

Typography:

Texts on Type, Critical Writings on Typography, Steven Heller and Philip B. Meggs, Allworth Press, 2001
The Thames & Hudson Manual of Typography, Ruari McLean, Thames & Hudson, Ltd., 1980
Great Type and Lettering Designs, David Brier, North Light Books, 1992.
Creative Typography, Marion March, North Light Books, 1988.
Type Design, Color, Character & Use, Michael Beaumont, North Light Books, 1987.
The New Typography, Jan Tschichold, University of California Press, 1995


Catalog Description:
An introduction to the basic principles and practices of digital production for fine art or personal use. Students will develop and enhance their abilities in the creation of digital artworks. Course introduces use of computer generated imagery, scanning technology, and digital photography.

Prerequisites:


Corequisites:


Recommended Preparation:

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Schedule of Classes Information:

Recommended:


COURSE CONTENT
Outcomes and Objectives:
Upon completion of this course, the student will be able to:
1. Create digital images with the computer.
2. Utilize a digital camera and the resulting images to produce digital artwork.
3. Operate a scanner and prepare resulting images to produce digital artwork.
4. Properly store and backup digital files.

Topics and Scope:
I. Image File formats
A. Vector
B. Raster
C. File Types and Use


II. Digital Camera and Scanner
A. Hardware Control
B. Resolution
C. Exposure
D. Basic Editing and Image Manipulation Functions


III. Computer Based Imagery
A. Basic Digital Tools Introduction
B. Resolution
C. Basic Editing and Image Manipulation Functions


IV. Transferring and storing digital artwork
A. Presenting artwork on the computer
B. Writing files to cd or dvd.

V. Critiquing Work

VI. Copyright Issues

VII. With Repeat:
A. Technological Updates

Assignments:
Assignments may include any or all of the following:
1. Create digital imagery.
2. Create composited digital images.
3. Make a presentation of digital artwork.
4. Create a backup of digital images to cd or dvd.

Methods of Evaluation:
This is a degree-applicable course, but substantial writing assignments are not appropriate because the course primarily:
Involves skill demonstrations or problem solving

The problem-solving assignments required:
Other: Participation in individual and group critiques.

The types of skill demonstrations required:
Other: Pastel drawing assignments

The types of objective examinations used in the course:
None

Other category:
Participation and attendance.

The basis for assigning students grades in the course:
Writing assignments: 0% - 0%
Problem-solving demonstrations: 10% - 20%
Skill demonstrations: 60% - 70%
Objective examinations: 0% - 0%
Other methods of evaluation: 20% - 30%

Representative Textbooks:
STUDENTS PLEASE NOTE: DO NOT BUY TEXTBOOKS before checking with the SRJC Bookstore.
These titles are representative only, and may not be the same ones used in your class.

EVALUATION:

40% of student grades will be based on class participation.  Students must attend class in order to effectively participate.

50% of student grades will be based on the completion of assignments.  These assignments will not be graded for skill or content, but will be evaluated for technical completion. 

10% of the student grade will be determined by the final portfolio presentation.

A PORTFOLIO OF COMPLETED WORK WILL BE MAJOR BASIS FOR COURSE GRADE. OTHER
FACTORS: ATTENDANCE, EFFORT, GROWTH, AND CLASS PARTICIPATION.



Required Supplies / Equipment:

Students are required to obtain backup media to store class example files and work in progress.

Optional media types are: - 100MB/250 Mb Zip disks- CD ROM/DVD-R, Write-once or Re Writable: Approx. capacity 700+MB- Flash cards, memory sticks, etc..  

An accessible email account is required.  This can be accessed through the Lab: and may be a free account like those avaiLab:le from Hotmail, Yahoo, Freemail, Excite, etc.  The instructor will assist students in obtaining an e-mail account if necessary. 

Check this e-mail account at least twice a week.  General class announcements will be reported via e-mail.

ATTENDANCE POLICY:


You are expected to attend all of every class meeting unless they have received prior permission from the instructor.
Attendance will be taken at the beginning of each class meeting. Anyone absent when attendance is taken will be assumed absent from the class.   If you are late to class it is your responsibility to make sure your attendance is acknowledged by talking to the instructor. 

More than three absences will affect a student’s grade; the fourth and each subsequent absence will drop a student’s overall grade one portion of a letter grade (e.g. from a full B to a B-). Repeated tardiness will also affect a student’s overall grade; every three tardies will count as equal to one absence.

If you are intending to drop the class, please notify the instructor.  You should not assume that the instructor will automatically drop you because of absences.  If you stop attending classes and you do not drop the class, and the instructor has not dropped you from the class; the instructor may be required to give you a grade of F for the class.


Digital Imaging
Schedule
(subject to change)

 

Week 1
 


Lecture:

Digital Technology




SylLab:us Overview
Expectations, Requirements, Objectives, Best Practices.

Begin fundamentals of visual phenomenology / camera technology.

Assignment:

Minimum 5 images in any form - representing your interests, motivations in photography.

Email john@basearts.com with your current email address - include SRJC Digital Imaging in the subject line.



Reading:

Review - Course Outline
Review - Internet Resources 

Artists:


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Week 17   Final Critique

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