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Digital Photography
Fall 2015
ART 82
Class
Schedule:
Tues /Thurs - 1pm - 4pm
Location:
2926 Maggini Hall, Santa Rosa Campus
Office Hours:
by appointment
Instructor: John Sappington - jsappington@santarosa.edu - john@basearts.com
Syllabus:
http://www.basearts.com/curriculum/SRJC.DigitalFall2014.htm
Overview:
http://www.basearts.com/curriculum/DigPhooverview.html
bASEARTS Announcement List Subscription
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Digital Photography Schedule
(subject to change)
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Online Photography Resources
CURRENT News and Events Blog:
http://blog.basearts.com
Class Notes
http://www.basearts.com/curriculum/notes/
Generalized Selection of Photo
resources available online and local
http://www.basearts.com/curriculum/Res.Photo.htm
A broad spectrum list of working/historical photographers
http://www.basearts.com/curriculum/photographerslisting.htm
A recommended reading list centered around photography and imaging
http://www.basearts.com/curriculum/Res.ReadingList.htm
basearts selection of resources lists
http://www.basearts.com/curriculum/resources.html
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Week 1 |
DATE:
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Syllabus
Overview - REVIEW Handout
Expectations, Requirements, Objectives, Best Practices.
Assignments:
- Bring
Camera to second class meeting with cables (usb/firewire), or card reader.
- Locate
and begin reading Camera Manual - Cover to Cover.
- Begin JOURNAL of questionable functions, settings, usage, portfolio ideas, reading notes etc...
- Required Text or Online Digital /Rental - Short Course in Digital Photography, A, ISBN-13: 978-0205998258 ISBN-10: 0205998259 Edition: 3rd
- Set
Camera to highest resolution / lowest compression.
- TURN
OFF THE FLASH! Until further notice.
- Backup all images on working media/card
and
- FORMAT card prior to first shooting assignment.
- (1) - 5-10 Digital Camera images to the second class meeting
- Images should represent your interest in Digital Photography
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Reading:
A Short Course in Digital Photography: Chapters 1, 3 and 9
Supplimental Sites and Web Resources :
Local Galleries and Suppliers
Masters
of Photography - Good starter site for Analogue Masters
http://www.masters-of-photography.com/
Lomographic
Society
http://www.lomographics.com
Artspace
http://www.artspace.com/tags/photograph
Art.com
http://www.art.com/gallery/id--c23946/photography-prints.htm
Camera Reviews
http://dpreview.com
http://www.keh.com
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Print, Sign and Return field trip liability waiver:
http://www.santarosa.edu/for_students/student_affairs/forms/SRJC_Field_Trip_Activity_Liability_Waiver.pdf
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Week 2 |
08.24.15 |
Lecture:
Digital Technology
Transferring images from camera/media to system.
Begin fundamentals of camera technology/exposure |
Lab:
Establish Home Directories
Work with camera connection / file transfer
First File Transfers
FINISH Intro Presentations
Assignment:
Shooting in Low Light without a flash. - 5-10 Images - (2)
Feel free to experiment, try to find the lowest
level of light possible to render a readable image.
Depending on what you may or may not know regarding ISO, experiment with
this setting in your camera as well.
Student Examples:
Jesse Klein - nitelight
Karl McJimsey - Flora
Justin Stevick - paintingwlight/celestial
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Reading:
Local Galleries and Suppliers
Artists:
Joseph Nicéphore Niépce / Louis Daguerre
William Fox Talbot
John Herschel
Fredrick Scott Archer
Other:
Click to launch the Photography 101: Shooting in Low Light course
Photography 101: Shooting in Low Light
http://www.lynda.com/Photography-Cameras-Gear-tutorials/Photography-101-Shooting-Low-Light/163091-2.html
Light Stenciling, compliments of Carolyn Reed:
Here's what it looks like: http://www.fubiz.net/2012/01/30/light-stencils-in-vietnam/
Here's a video on how it's done. http://www.youtube.com/watch?v=1DJsLqwsqlg
Lowlight artist / painting with light + range of lighting equipment
http://www.flickr.com/photos/jannepaint/4287648439/in/photostream/
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Anna Atkins -
http://en.wikipedia.org/wiki/Anna_Atkins
(née Children; 16 March 1799 – 9 June 1871) was and English botanist and photographer. She is often considered the first person to publish a book illustrated with photographic images. Some sources claim that she was the first woman to create a photograph
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DP Review: Readers' Showcase: Astrophotography
Click here to take a look at the gallery of images:
http://www.dpreview.com/articles/3579675465/readers-showcase-astrophotography/ |
Week 3 |
08.31 |
Lecture:
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Assignment: Beginning Exposure - (3)
Point and Shoot Exposure Adjustment - Working with the half-step shutter lock and/or AF-L create 3-5 exposures of a given scene showing + and - alternative exposure adjustments. (3)
- Simple tonal adjustment
- Good time to work with (Point and Shoot) exposure controls
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Reading:
A Short Course in Digital Photography: Chapters 4, 5 and 7
Digital Camera Review - Technical Glossary
http://www.dpreview.com/Glossary/
Artists:
Animated sequence of a race horse galloping. Photos taken by Eadweard Muybridge. The horse's body demonstrates squash and stretch in natural musculature.
Eadweard Muybridge
http://www.eadweardmuybridge.co.uk/
http://www.eadweardmuybridge.co.uk/muybridge_image_and_context/
Paul Strand
http://youtu.be/jSLCTI1BTdw
Manhatta (1921) is a short documentary film directed by painter Charles Sheeler and photographer Paul Strand.
http://en.wikipedia.org/wiki/Manhatta
http://www.nytimes.com/2008/11/09/movies/09kehr.html?_r=0
Eugene Atget
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Reserve Textbook available in library
A Short Course in Digital Photography : digital an introduction to photographic technique / Barbara London, Jim Stone.
Third edition.
CALL NO : TR267 .L647 2015
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SCANNING - OPTIONAL -
Artists:
Peter Krohn - http://photographicakrohn.com/
Lazlo
Moholy-Nagy
Man Ray
Olivia Parker
http://oliviaparker.com/newindex.php
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Scanning Procedures - Flat Art
Photography - Scanning Procedures Epson : SRJC
Digital Photogram
Objects for Scanning - 3 Dimensional Objects as well as prints or flat
art that you may want to digitize. - (3)
Review Historical Photograms/Montage works:
Photography
- Photograms and Montage Samples
Photography - Scanography - Example Files
Photography - Scanning Procedures
Niko Robinson - Student Scanner work
more scanner work - various
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Exposure Bracketing for Smart Phones
10 Best Apps for Exposure Bracketing (android) | AppCrawlr
http://appcrawlr.com/android-apps/best-apps-exposure-bracketing
25+ Top Apps for Exposure Bracketing (iPhone/iPad
http://appcrawlr.com/ios-apps/best-apps-exposure-bracketing
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Labor Day Holiday - 09.7-9.15
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Week 4 |
09.10 |
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Assignment: Bracketing Exposures - (4)
- P mode - Working with the half-step shutter lock - AE-L
- (M)Manual mode - Working with exposure scale in camera manual bracketing. Establish baseline exposure parameters of ISO and White Balance (*manually set)
- AEB - Auto Exposure Bracketing
- EV - Exposure Compensation Value
- White Balance Bracketing.
- 5-15 exposures for each with alternate exposure. - (3)
1st exposure according to meter reading.
2nd + .5 half step greater aperture/shutter selection or more exposure
(over)
3rd + 1 whole step (full stop) greater aperture/shutter selection (over)
4th .5 half step smaller aperture/shutter selection or less exposure (under)
5th - 1 whole step smaller aperture/shutter selection or less exposure
(under)
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Review :
Photography - EXAMPLE FILES - Shooting Assigments
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Reading:
Ansel Adams - .pdf - 344KB - 3 pages
Artists:
Edward Weston
Minor White
Ansel Adams
FRED ARCHER
Robert Adams
About Robert Adams
Robert Adams was born in Orange, New Jersey, in 1937. His refined black-and-white photographs document scenes of the American West of the past four decades, revealing the impact of human activity on the last vestiges of wilderness and open space. Although often devoid of human subjects, or sparsely populated, Adams’s photographs capture the physical traces of human life: a garbage-strewn roadside, a clear-cut forest, a half-built house....
continue reading
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Steven Sasson invented the first digital camera at Eastman Kodak in 1975
http://en.wikipedia.org/wiki/Steven_Sasson
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Week 5/p> |
09.14 |
Lecture:
Exposure Factsheet
Equivalent Exposures Continues ... ?
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Assignment:
Continue to experiment with:
- Manual mode - Working with exposure scale in camera manual bracketing. Establish baseline exposure parameters of ISO and White Balance (*manually set)
- AEB - Auto Exposure Bracketing
- Exposure Compensation Value - EV
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Contact Sheets of Brackets/Equivalents - (5)
Create a minimum of 2-3 files utilizing 1) Output to PDF 2) Files to Layers Experiment with a standard contact sheet layout to document bracketing exposure
experiments/design starts/. - (5)
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Reading:
A Short Course in Digital Photography:Chapters - 2, 3 and 4
Edward Weston - .pdf - 360KB - 3 pages
(first left hand spread of each essay is last page of that essay)
Artists:
Jerry Uelsmann
http://www.digitalphotopro.com/profiles/jerry-uelsmann-the-alchemist.html
http://www.annenbergspaceforphotography.org/exhibition/digital-darkroom
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Hiroshi Sugimoto
http://www.sugimotohiroshi.com/portfolio.html
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Week 6 |
09.21 |
Lecture:
- Workflow :
Adobe Bridge to Adobe Photoshop
Adobe Bridge to Adobe Photoshop- Layers
PS Best Practice #1 - Duplicate the pixel
based background layer as first step on opening a .jpeg.
PS Best Practice #2 - All adjustments to adjustment layers - no
pixel damage.
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Adobe TV - introduction
http://tv.adobe.com/show/learn-photoshop-cs6/
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Assignment(s):
- Equivalents: Depth of Field - (6)
5-15 Images which illustrate the side effects of aperture selections. -(5)
Aperture:
Fig. 1
Fig. 2
Wikipedia Entry:
http://en.wikipedia.org/wiki/Zone_System
Depth of Field Calculator
http://www.dofmaster.com/dofjs.html
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Reading:
A Short Course in Digital Photography: Chapter 5
Henri Cartier-Bresson - .PDF - 234KB
Artists:
John Divola
http://www.divola.com/
Larry Sultan
http://larrysultan.com/
Michael Light
http://www.michaellight.net/
Jim Goldberg
on his documentary practice
http://youtu.be/BzDbugn4XDw
on Sensitivity and Polaroids
http://youtu.be/3mfMjPkxePc
Henry Wessel
http://en.wikipedia.org/wiki/Henry_Wessel,_Jr.
Todd Hido
http://en.wikipedia.org/wiki/Todd_Hido
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Week 7 |
09.28 |
Lecture:
Photoshop
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Assignment:
-
Equivalents: Motion / Blur - (7)
5-15 Images which illustrate the side effects of shutter speed / time
value selections. - (7)
Shutter / Time Values:
Fig 1
Review :
Photography - EXAMPLE FILES - Shooting Assigments
Bracketing
Equivalents (Shutter and Aperture side effects)
Wrap up current technical experiments
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Discussion : Adams, Weston and Cartier-Bresson
Reading:
Italiano Calvino - Adventures of a Photographer
Artists:
Uta Barth
http://utabarth.net/
John Baldessari
http://www.pbs.org/art21/artists/john-baldessari/
Lauren Greenfield
http://www.laurengreenfield.com/
Stephen Shore
http://en.wikipedia.org/wiki/Stephen_Shore
Sophie
Calle
http://www.egs.edu/faculty/sophie-calle/biography/
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Week 8 |
*10.6 10.08 -
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*10.6 meeting at 1-1:15
Graton Shooting Field Trip
Graton MAP
https://www.google.com/maps/dir/1501+Mendocino+Ave,+Santa+Rosa,+CA+95401/Willow+Wood+Market+Cafe,+9020+Graton+Road,+Graton,+CA+95444/@38.396643,-122.8917333,11z/data=!4m14!4m13!1m5!1m1!1s0x80843875a07d59d3:0x922d3191c7c43b3c!2m2!1d-122.7198213!2d38.454581!1m5!1m1!1s0x80843b1a6c517143:0x7b0cdfd7e7dcb782!2m2!1d-122.868859!2d38.436519!3e0
Graton Shots
Fall 2015
http://www.basearts.com/work/2015/GratonFall2015/index.html
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Photoshop Continues
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Vivan Maier
Vivian Maier - John Maloof Collection
http://www.vivianmaier.com/
the wiki
http://en.wikipedia.org/wiki/Vivian_Maier
Finding Vivian Maier - the film
http://www.findingvivianmaier.com/
http://www.vivianmaier.com/film-finding-vivian-maier/
-------Misc.
the controversial print collection - Jeffrey Goldstein Collection
http://www.vivianmaierprints.com/vivian-maier-images.html
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Chicago Tonight Series:
http://chicagotonight.wttw.com/2012/07/31/vivian-maier
http://chicagotonight.wttw.com/2012/08/02/searching-vivian-maier
http://chicagotonight.wttw.com/2012/08/01/meteoric-rise-vivian-maier
The New Yorker - Vivian Maier and the Problem of Difficult Women
BY ROSE LICHTER-MARCK
http://www.newyorker.com/culture/culture-desk/vivian-maier-and-the-problem-of-difficult-women
PBS - Bringing a portrait of private artist Vivian Maier to the big screen
http://www.pbs.org/newshour/bb/bringing-portrait-private-artist-vivian-maier-big-screen/
PBS - From glamorous to ordinary, Vivian Maier’s street photography captured America’s mid-century urban life- BY DAVID COLES
http://www.pbs.org/newshour/art/from-streets-scenes-of-the-50s-and-60s-to-neighborhood-characters-photographer-vivian-maier-captured-it-all/
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Graton Shooting Field Trip
Graton MAP
https://www.google.com/maps/dir/1501+Mendocino+Ave,+Santa+Rosa,+CA+95401/Willow+Wood+Market+Cafe,+9020+Graton+Road,+Graton,+CA+95444/@38.396643,-122.8917333,11z/data=!4m14!4m13!1m5!1m1!1s0x80843875a07d59d3:0x922d3191c7c43b3c!2m2!1d-122.7198213!2d38.454581!1m5!1m1!1s0x80843b1a6c517143:0x7b0cdfd7e7dcb782!2m2!1d-122.868859!2d38.436519!3e0
Graton Shots
Fall 2015
http://www.basearts.com/work/2015/GratonFall2015/index.html
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Week 9 |
10.12 |
Shooting Camera RAW for Gray Scale / Black and White
This weeks shooting assignment requires that you configure your camera for Camera RAW capture. This is a setting found in the image Image Quality menu. When shooting in Camera RAW you can generate both a RAW file and a JPEG file - the resulting images are displayed as B/W in the LCD but in editing will contain all color channels and data. If you are not using either Adobe Photoshop or Lightroom - you may want to shoot in this dual file mode so that you will have access to the JPEGs prior to processing. Note: all manufacturers generally include a software application for converting RAW files.
When shooting for black and white images, never shoot with camera's black and white modes. These "creative" modes are almost always reduced data exposures. Always shoot full color and convert your images in the post process through either the camera raw processor or Photoshops many conversion methods. The only exception to this is when shooting in RAW. If you have configured for Camera RAW files then you are able to shoot in the cameras Black and White /Grayscale mode - the resulting images are displayed as B/W in the LCD but in editing will contain all color channels and data.
Submit and comment on 3-5 images you make which would be appropriate to convert to gray scale or black and white as it is known historically. Submit both the original color image and the gray scale image, if converted. Black/White or Gray Scale images can be converted using the Channel Mixer, the Black and White Adjustment layer or the Hue and Saturations adjustment layer. Include both the color and the black and white image.
Add commentary that describes your thinking and your method of conversion.
What makes the images suitable for black and white?
Why shoot in black and white when you can shoot full color?
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Here are optional online tutorials for black and white conversion in Lightroom and Photoshop:
Foundations of Photography: Black and White with Ben Long
http://www.lynda.com/Photoshop-CS5-tutorials/Foundations-of-Photography-Black-and-White/80300-2.html
Converting to black and white
From: Photoshop Artist in Action: Tim Grey's Abandoned Farmhouse with Tim Grey
http://www.lynda.com/Photoshop-tutorials/Converting-black-white/123556/133465-4.html
Converting color to black and white with Julieanne Kost
http://www.lynda.com/Photoshop-tutorials/Converting-color-black-white/122999/137813-4.html
Black and White with Lightroom and Photoshop with Bryan O'Neil Hughes
http://www.lynda.com/Photoshop-tutorials/Thinking-black-white/122444/131805-4.html |
Assignment:
Black and White - (8) Shooting for Black and White / Gray Scale
Camera RAW for Black&White Mode ONLY!
_ Conversion Methods
_ Previsualization / Exposure, Tonal Considerations
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Artists:
Diane Arbus
William Klein
Richard Prince
David Hockney-
Secret Knowledge - Part One (BBC Documentary)
http://youtu.be/ynrnfBnhWSo
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LFI Leica Fotografie International
https://www.youtube.com/user/lfimagazine
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Week 10 |
10.19 |
LAB:
Mid-Term Critiques - 5 pnts
Prepare a selection of ideas for your final portfolio.
This portfolio is to be comprised of 3 subjects of your own choosing and design. Each portfolio subject should contain 20 images - total portfolio size is 60 images. This is a fully digital portfolio - no printing necessary. Each subject should be in a seperate folder within your home directory on the art server.
Write up a brief description of each for use during the critique.
Assignment:
- Compile all shooting and software assignments -- see summary below.
- Complete the Midterm Evaluation
Form <-- click here
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Assignment:
1st Critique- 5-10 images of your own work - looking toward portfolio subjects. If you haven't made any decisions it could be just images you have made since the beginning of the semester that you believe were good.
Critiques - 5 pnts. - (8)
5 Images - should represent beginnings of portfolio subjects either content
or technique. |
Shooting Assignments Summary
(1) - Initial 5-10 Digital Camera images
between the first and the second class meeting - bring these to share on the 2nd class meeting.
(2) - Shooting in Low Light without a flash.
-Feel free to experiment, try to find the lowest
level of light possible to render a readable image.
(3) - Beginning Exposures
(4) - Bracketing Exposures
3 Subjects - 5-15 exposures for each with alternate exposure. -
(5) - Equivalents: Depth of Field
5-15 Images which illustrate the side effects of aperture selections. -
(6) -
Equivalents: Motion / Blur
5-15 Images which illustrate the side effects of shutter speed / time
value selections. -
(7) - Contact Sheets of Brackets/Equivalents
Create a minimum of 3 contact sheets documenting bracketing exposure experiments. -
(8)- Shooting for Grayscale / Black and White
4-8 images you make which would be appropriate to convert to gray scale - include both full color and grayscale image
(8) - Critique - Make presentation of representative selection of your portfolio subjects (5-10 of each at minimum 3 times throughout the course. |
Artists:
William Klein
Lorna Simpson
Bernd and Hilla Becher
Reading:
Robert Adams - Truth - http://www.basearts.com/curriculum/PDF/Readings/RobertAdamsTruth.pdf
Robert Adams - Beauty - http://www.basearts.com/curriculum/PDF/Readings/RobertAdamsBeauty.pdf |
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Optional:
Robert Adams - Good News - http://www.basearts.com//curriculum/PDF/Readings/Rbt.Adams.GoodNews.pdf
Robert Adams - Collegues - http://www.basearts.com//curriculum/PDF/Readings/RobertAdams.Collegues.pdf
Susan Sontag - In Plato's Cave- http://www.basearts.com//curriculum/PDF/Readings/SusanSontag.pdf
Susan Sontag - Melancholy Objects - http://www.basearts.com//curriculum/PDF/Readings/SusanSontagMelancholyRev2.pdf
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Week 11 |
10.27 |
DATE: 10.29
Jeremiah's Photo Corner - LIGHTING DEMO
We will meet at Jeremiah's @ 1pm for a Portrait Lighting Workshop
Corner of Sebastopol St. and South A
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Lecture/Lab
Advanced techniques:
Camera Raw
Lightroom
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Artists:
Mona Kuhn
https://youtu.be/RDngAUrn-Pk
Francesca Woodman
Zoe Leonard - https://en.wikipedia.org/wiki/Zoe_Leonard
Zoe Strauss - https://en.wikipedia.org/wiki/Zoe_Strauss
Alice Shaw
http://www.flysfo.com/museum/exhibitions/alice-shaw-exalted-landscape
Alexander Gronsky
http://alexandergronsky.com/
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LensCulture
https://www.lensculture.com/
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Adobe Lightroom
Camera Raw
Resource Links for Camera Raw and HDR - plugins/extensions/software
Adobe TV : Why You Should Set Photoshop to Open Your JPGs in Adobe Camera RAW
Enhancing Raw Images
http://tv.adobe.com/watch/learn-photoshop-cs6/enhancing-raw-images/
Easily merge JPEGS into a 32-bit TIFF you can open in Photoshop with access to the full controls of Camera Raw.
http://tv.adobe.com/watch/cs6-creative-cloud-feature-tour-for-web/32bit-hdr-and-camera-raw/
Recovering detail in raw images by Richard Harrington
http://tv.adobe.com/watch/learn-photoshop-cs5/recovering-detail-in-raw-images/
Adobe Camera Raw workflow by Russell Brown -
http://av.adobe.com/russellbrown/ACRBridgeToBridge_SM.mov
Adobe Lightroom :
Develop Module Introduction
http://www.lynda.com/Lightroom-tutorials/Develop-module-overview/124393/141813-4.html
Understanding White Balance and Color Temperature
http://www.lynda.com/Lightroom-tutorials/Understanding-white-balance-color-temperature/124393/141819-4.html
Creating a Contact Sheet:
http://tv.adobe.com/watch/learn-lightroom-5/creating-a-contact-sheet/
Using the Histogram to Correct Exposure
http://www.lynda.com/Lightroom-tutorials/Using-histogram-correct-exposure/124393/141827-4.html
Understanding Vibrance and Saturation
http://www.lynda.com/Lightroom-tutorials/Understanding-vibrance-saturation/124393/141836-4.html
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Week
12 |
11.02 |
Lighting
- Utilizing Ambient Light
- Flash
Good Alternative Manufacturer of speedlite flash units
http://www.hkyongnuo.com/e-index.php
- HDR - High Dynamic Range Imaging
- Stiching - Photomerge
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Artists:
Harold Edgerton
http://edgerton-digital-collections.org/
African Portrait Photographers : 1900-1960
Interview with Martin Schoeller
Photographer Martin Schoeller speaks with Feature Shoot about the portrait that launched his career, photographing celebrities and advice for emerging photographers.
https://www.youtube.com/watch?v=IqvGH9A7VIE
George Hurrell
http://georgehurrell.com/gallery/
Richard Avedon
Irving Penn
Philippe Halsman - http://en.wikipedia.org/wiki/Philippe_Halsman - http://www.smithsonianmag.com/arts-culture/10022756.html
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Week 13 |
11.09 |
Assignment:
Printing
3-5 prints - 5 pnts. - 8x10
minimum - (9)
Lab:
Printing continues through to the end...
Lecture:
- Resolution (review)
- File Preparation
- Color Management
- Color Modes
- Papers
Surface/Finish
Texture
Color
Weight
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San Francisco Printers
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Additional
Printing Resources:
http://www.basearts.com/curriculum/PDF/ - see contents for various PDFs
The World of Inkjet Papers
http://www.freestylephoto.biz/inkjet
PDF of Digital Printing Supply Catalogue
http://www.freestylephoto.biz/static/pdf/catalogs/fs_creative_imaging_catalog.pdf
Freestyle - Inkjet Comparison, Ratings and Reviews
http://www.freestylephoto.biz/inkjet/paper-ratings
Inkjet Papers Glossary
http://www.freestylephoto.biz/inkjet/glossary
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Week 14 |
11.16 |
Lecture:
Lens Selection
Lens Selection:
Link
to external sites of interest regarding lens selection
DPReview Lens Reviews
http://www.dpreview.com/lensreviews/
DP Review Lens Widget:
http://www.dpreview.com/lensreviews/
Tilt- Shift: A DIY guide
http://cow.mooh.org/projects/tiltshift/
Angle of View:
Fig 1
Assignment:
5-15 images of light - consider the characteristics of the light situations you are encounter.
Images with good or interesting light conditions - focus on the light (diffuse, sharp, moody?)- not the content of the image
Is there something within the light you could replicate with artificial means? (10)
concept for discussion - Ansel Adams
- Pre-Visualization
Lab:
Critique - (11) -Make presentation of representative selection of your portfolio subjects (5-10 of each at minimum 2-3 times throughout the second half of course.
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Artists:
Rahubir Singh - *see wikipedia also
http://www.basearts.com/curriculum/masters/Raghubir Singh/
Reading:
Photographs Not Taken Jim Goldberg
- from Photographs Not Taken: A Collection of Photographers' Essays,
Edited by Edited by Will Steacy, daylight Community Arts Folundation 2012
Additional Lens review sources:
Photozone for lens reviews
Thom Hogan for Nikon equipment reviews
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Slinkachu - Street based installations and photography
http://slinkachu.com/
It's one thing to recreate the Jedi Starfighter ship using legos and a set of well-crafted directions. It's another thing entirely to reinterpret the subjects and landscapes of famous photographs, using only the tiny toy bricks and an artist's eye for design.
DearDave
http://deardavemagazine.com/
Is a tri-annual publication of photography and writing. It celebrates a community of visual thinking,
with affection and humor, and publishes idiosyncratic and original work that is deserving of further
recognition. DEAR DAVE, is interested in the most unpredictable work of all genres and sensibilities.
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PDN:
Connect: Using your tablet as a photographic light source Published on Tuesday , October 23, 2012 1:36:02 AM GMT
Connect: When you're not using it to browse the web, show off your photos or check your e-mail, have you considered using your tablet computer as a light source for photography? It may not offer a high-speed sync mode but, with an inexpensive app, it can open up some creative opportunities. Read full story →
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Week 15 |
11.23 |
Lab:
Printing continues through to the end of the semester...
Lecture:
Composition
- tone
- balance
- line
- framing
Internet Presence / Websites / Automation
- Image Ready
- Web Optimization
- Batch and Automation
- Scripting
Text - Typography
- Text tools
- Vector graphic
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Artists:
Nathon Lyons
http://museum.icp.org/museum/exhibitions/nathan_lyons/index.html
Jenny Holzer
http://en.wikipedia.org/wiki/Jenny_Holzer
Collection of composition links:
Rule of Thirds
http://digital-photography-school.com/blog/rule-of-thirds/
More on the Rules of Photography
http://macteens.com/magazine/features/fullstory/the_rules_of_photography/
Holding your Camera at an Angle
http://digital-photography-school.com/blog/hold-your-camera-on-an-angle/
Rules for Landscape Photography
http://digital-photography-school.com/blog/4-rules-of-composition-for-landscape-photography/
Diagonal Lines
http://digital-photography-school.com/blog/using-diagonal-lines-in-photography/
Converging Lines
http://digital-photography-school.com/blog/converging-lines/
Foreground
http://digital-photography-school.com/blog/pay-attention-to-foregrounds/
Framing
http://digital-photography-school.com/blog/framing-your-shots-photography-composition-technique/
http://digital-photography-school.com/blog/5-elements-of-composition-in-photography/
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Rule of Thirds
http://en.wikipedia.org/wiki/Rule_of_thirds
http://en.wikipedia.org/wiki/Image:Rule_of_thirds_1845_George_Field_Chromatics.png
Golden Mean
http://en.wikipedia.org/wiki/Golden_ratio
http://www.cambridgeincolour.com/tutorials.htm
http://www.cambridgeincolour.com/tutorials/camera-lenses.htm
http://www.cambridgeincolour.com/tutorials/hyperfocal-distance.htm
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Week 16 |
12.01 |
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Lab:
Printing continues through to the end of the semester...
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Artists:
Margaret Bourke-White
Tina Modotti
Immogen Cunningham
Nan Goldin
Sally Mann
Sherry Levine
Judy Dater
Annie Liebovitz
Graciela Iturbide
Online Storage / Services
http://www.livedrive.com/
http://www.carbonite.com
Achive and Publishing
Shutterfly
Fastback Creative Books
Digifilm Labs VioVio
Print
and Share
Qoop
100 Books Publishing
Xlibris
Album Printer Software
Print My
Photobook
Picaboo
MyPublisher
Vision Art Book
COMMERCIAL / LOCAL:
http://www.svenwiederholt.com/
http://www.peterkoval.com/
http://www.jockmcdonald.com/
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Alternate Assignments:
Cropping 5-n-1 - Take an existing file and crop to create 5 variations on the composition. Focus is on re-framing and composing. Not compositing.
Composite - 1 in 5 - Create an image file from the components or pieces of minimum 5 image files. Create multiple variations on the composition at will.
Bokeh- Create a series of like images of the same subject with various lenses @ largest to smallest aperture bracketed to test bokeh results for all.
Flare / Glare - Create a series of images exploring the selective use of glare /flare with alternate light sources (*sunlight, streetlights (sodium vapor), car lights(halogen).
Tilt Shift - Create a series of landscape images exploring tilt shift or the post focus effect simulating tilt shift. (an optical system (such as a camera) when the lens plane is not parallel to the image plane produces an effect of selective focus. Originally developed to correct for converging parallel lines in aerial photography.
At the edges of light and shadow - Create a series of images exploring the contrast at edges between shadow and light. Experiment with exposure latitude, extremes between 10 and 2 with direct natural light.
Captioned - Submit 3 images with a brief textual description. Explore the challenges of describing an image to someone with a visual impairement or someone lacking visual acess to the image.
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SRJC Shone Farm - Shooting Field Trip
Date: 12.10.15
Map: http://www.santarosa.edu/map/shone-farm.html
Address:
6225 Eastside Road
Forestville, CA 94536
Directions:
From the north:
From Hwy 101, take the River Road/Guerneville exit.
Turn right onto Mark West Springs Rd. (turns into River Rd.) 5.82 miles.
Turn right onto Trenton Healdsburg Rd. travel 1.34 miles.
Turn left onto Eastside Rd. travel .04 miles.
From the south:
From Hwy 101, take the River Road/Guerneville exit.
Turn left onto Mark West Springs Rd. (turns into River Rd.) 5.82 miles.
Turn right onto Trenton Healdsburg Rd. travel 1.34 miles.
Turn left onto Eastside Rd. travel .04 miles.
View Larger MapShone Farm
http://basearts.com/work/2013/shonefarmfall/
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Week 17 |
12.08 |
Lecture:
Business - Usage and Licensing (GETTING PAID)
American society of Media Photographers
(National) - http://asmp.org/
American society of Media Photographers
(Local) - http://www.asmpnorcal.org/
New Photoshelter Guides :
For a Business Plan /business plan
Creating a Porfolio /portfolio
Photographers Guide to Copyright /copyright
PhotoShelter
Business Plan Worksheet - http://www.photoshelter.com/mkt/research/
Transitioning from Assistant to Pro Photographer: Free White Paper
In this useful packet, assistants explain how they made the leap to shooting
for their own clientele and managed the financial challenges of their first year in the business.
You can download the PDF here.
Photojojo:
Starting Your Photo Biz… Part 1: You Sure ‘Bout That?
http://photojojo.com/content/photojojo-original/starting-photo-business/
Starting Your Photo Biz… Part 2: What’s In a Name?
http://photojojo.com/content/photojojo-original/photo-business-name/
Starting Your Photo Biz… Part 3: The Nitty-Gritty Business Details
http://photojojo.com/content/photojojo-original/starting-photo-business-details/
Starting Your Photo Biz… Part 4: Fame and Fortune
http://photojojo.com/content/photojojo-original/photo-business-marketing/
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Contemporary Japanese Photographers - compliments of anton(Rudolph) kuehnhackl
REN HANG :
http://renhang.org/ (all of his work is on display here, has links to his flickr and tumblr plus facebook)
https://www.youtube.com/watch?v=FdnZlynWFMs (ren hang: the art of taboo. vice japan doc that aired on sep 2nd 2013 extremely good, i highly recommend you watch this.)
KISHIN SHINOYAMA :
http://en.wikipedia.org/wiki/Kishin_Shinoyama (recently discovered his work, fell in love.)
NOBOYOSHI ARAKI :
http://www.nowness.com/day/2014/5/29/3868/nobuyoshi-araki-love-on-the-left-eye/?utm_source=FB&utm_medium=SM&utm_term=01_type&utm_content=nobuyoshi-araki-love-on-the-left-eye%2F&utm_campaign=FB10072014
JOHN SYPAL :
http://tokyocamerastyle.com/ (main website i think? features many different photographers in tokyo and their personal work)
http://petapixel.com/2011/09/12/interview-with-john-sypal-of-tokyo-camera-style/ |
Week 18 |
12.17 |
Shone Farm : http://www.basearts.com/work/2015/ShoneFarmFall2015/
Final
Critique - Date 12.17 - 1-4 pm in Room 2926
Final
Portfolio, Presentation and Critique(12)
Presentations of selections from individual portfolios 20 images. = 10
pnts.
Final Exam is here --> TEST
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Reading:
dpBestflow / American society of Media Photographers / Best Practices Resource:
http://www.dpbestflow.org/
Walter Bejamin, "The Work of Art in the Age of Mechanical Reproduction", 1936 - Excerpt translanted by Harry Zohn |
All Assignments Due for Completion of Art 82 : Shooting Assignments Summary
(1) - Initial 5-10 Digital Camera images
between the first and the second class meeting - bring these to share on the 2nd class meeting.
(2) - Shooting in Low Light without a flash.
-Feel free to experiment, try to find the lowest
level of light possible to render a readable image.
(3) - Beginning Exposures
Point and Shoot Exposure Adjustment - Working with the half-step shutter lock and/or AF-L
create 3-5 exposures of a given scene showing + and - alternative exposure adjustments. (3)
(4) - Bracketing Exposures
3 Subjects - 5-15 exposures for each with alternate exposures.
(5) - Equivalents: Depth of Field
5-15 Images which illustrate the side effects of aperture selections.
(6) -
Equivalents: Motion / Blur
5-15 Images which illustrate the side effects of shutter speed / time
value selections.
(7) - Contact Sheets of Brackets/Equivalents
Create a minimum of 3 contact sheets documenting bracketing exposure experiments.
(8)- Shooting for Grayscale / Black and White
4-8 images you make which would be appropriate to convert to gray scale - include both full color and grayscale image
(9) - Critique 1- Presentation of a representative selection of your portfolio subjects (5-10 of each at minimum 3 times throughout the course.
(10) - Prints - create 3-5 - 8x10 minimum.
(11) - Critique 2 - Show progressive state of your portfolio.
(12) - Images of Light -
(13) - Final
Portfolio, Presentation and Critique - 1 Subject Presentation / 3 Subjects Total
- 3 subjects / 20 images each - final presentation of 1 subject 20 images or 2 subjects split 10/10
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