Digital Photography
SPRING 2010
Section 4206 - MW 9:00am-12:00pm - Barnett RM 1261 - 01/11-05/12

Class Schedule: 
Monday/Wednesday - 9:00am-12:00pm

Location:
Barnett 1261

Office Hours:
Monday / Wednesday 12:00 - 1:00 by appointment.

Instructor:  John Sappington - john@basearts.com


ANALY HALL - ART COMPUTER LAB HOURS

Tuesday and Thursdays 1:30 -4:30

Analy Hall - Shooting Studio by Appointment

Mon/Wed - 12-4 | 4:30 - 7


Overview
Schedule
Resources

REPEAT Students <---CLICK HERE

 
 
Digital Photography
Schedule

(subject to change)
Photography Resources

http://www.basearts.com/curriculum/Res.Photo.htm

and
basearts resource menu |
http://www.basearts.com/curriculum/resources.html

Week 1  

Syllabus Overview Expectations, Requirements, Objectives, Best Practices.

Assignment:

  • Bring Camera to second class meeting with cables (usb/firewire), or card reader.
  • Locate and begin reading Camera Manual - Cover to Cover.
  • Set Camera to highest resolution / lowest compression.
  • TURN OFF THE FLASH! Until further notice.
  • Backup all images on working media/card
    and
    FORMAT card prior to first shooting assignment.


  • Make 5-10 Digital Camera images between the first and the second class meeting
    - Bring these to share on the 2nd class meeting.
    - (1)

  • Begin JOURNAL of questionable functions, settings, usage, portfolio ideas, reading notes etc...
  • Email john@basearts.com with your current email address
    - include SRJC Digital Photo and your section number in the subject line.


Sites:

Local Galleries and Suppliers


Masters of Photography - Good starter site for Analogue Masters
http://www.masters-of-photography.com/

Lomographic Society
http://www.lomographics.com

Camera Reviews


http://dpreview.com
http://www.keh.com

 
 
Week 2

 

Lecture:

Digital Technology

Camera / Scanner
Scanning Procedures - Flat Art

Transferring images from camera/media to system.

Begin fundamentals of camera technology/exposure.

Lab:

Establish Home Directories
Work with camera connection / file transfer

Assignment:

Shooting in Low Light without a flash.
- (7)

Feel free to experiment, try to find the lowest level of light possible to render a readable image.

Depending on what you may or may not know regarding ISO, experiment with this setting in your camera as well.

Objects for Scanning - 3 Dimensional Objects as well as prints or flat art that you may want to digitize. - (2)

Review Historical Photograms/Montage works:

Photograms and Montage Samples
Niko Robinson - Student Scanner work
more scanner work - various

 

Reading:

Local Galleries and Suppliers

Moholy-Nagy - From Pigment to Light - 1936

Artists:

Lazlo Moholy-Nagy
Man Ray
David Hockney

Olivia Parker
http://oliviaparker.com/newindex.php

Bruce Conner
David Hockney

Week 3  

Lecture:

 

Shot Card Rev.2 for field experiments
Shot Card for field experiments


Lab

First File Transfers

Assignment:

Bracketing Exposures

3 Subjects - 3-5 exposures for each with alternate exposure.
- (3)

1st exposure according to meter reading.
2nd + .5 half step greater aperture/shutter selection or more exposure (over)
3rd + 1 whole step (full stop) greater aperture/shutter selection (over)
4th .5 half step smaller aperture/shutter selection or less exposure (under)
5th - 1 whole step smaller aperture/shutter selection or less exposure (under)

------------------------

Experiment with White Balance Bracketing.


Print, Sign and Return field trip liability waiver in pdf form via the link below:
http://www.santarosa.edu/for_students/student_affairs/pdf/SRJC_Field_Trip_Activity_Liability_Waiver.pdf

Reading:

Digital Camera Review - Technical Glossary
http://www.dpreview.com/learn/?/Glossary/
http://www.dpreview.com/learn/?/Glossary/Camera_System/



Artists:

Paul Strand
Eugene Atget
Eadweard Muybridge

-----------

Sites:


Week 4  

Lecture:

Camera Operation:

 

Lab:

Assignment:


- Equivalents: Depth of Field

3-5 Images which illustrate the side effects of aperture selections.
-(4)

Aperture:
Fig. 1
Fig. 2

Wikipedia Entry:
http://en.wikipedia.org/wiki/Zone_System

Depth of Field Calculator
http://www.dofmaster.com/dofjs.html


Artists:

Edward Weston
Minor White
Ansel Adams
FRED ARCHER

Robert Adams


Uta Barth
http://www.sieshoeke.com/artists/uta-barth

Sites:

The photographs in Intimate Nature: Ansel Adams and the Close View represent an under recognized and rarely examined aspect of Ansel Adams's half-century-long career: his study of the intimate details of nature through the close view of his camera.
http://www.creativephotography.org/education/educatorsGuides/anselAdams/

Other Guides:
http://www.creativephotography.org/education/educatorsGuides/


Week 5

 

Lecture:

Equivalent Exposures Continues ...

Photoshop:

Adobe Bridge Automation Techniques:
PDF based Contact Sheets and Presentations
Multiple Files to Layers - Manual Composite/Contacts


PS Best Practice #1 - Duplicate the pixel based background layer as first step on opening a .jpeg.

PS Best Practice #1 - Duplicate the pixel based background layer as first step on opening a .jpeg.

  • Layers Palette Introduction
  • Adjustment Layers
  • Levels Adjustment Layers

Lab:

Assignment:

- Equivalents: Motion / Blur

3-5 Images which illustrate the side effects of shutter speed / time value selections. -
(5)

Shutter / Time Values:
Fig 1



Assignment:

Contact Sheets of Brackets/Equivalents

Create a minimum of 3 contact sheets documenting bracketing exposure experiments.
- (6)

---
Review :

Bracketing
Equivalents (Shutter and Aperture side effects)
Wrap up current technical experiements

Readings:

Ansel Adams - .pdf - 344KB - 3 pages
Edward Weston -
.pdf - 360KB - 3 pages
(first left hand spread of each essay is last page of that essay)

Artists:

Henri Cartier-Bresson
http://www.magnumphotos.com/Archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&l1=0&pid=2K7O3R14T1LX&nm=Henri%20Cartier%20%2D%20Bresson


Hiroshi Sugimoto
http://www.sugimotohiroshi.com/portfolio.html


John Divola
http://www.divola.com/

Sites:

Depth of Field Calculator
http://www.dofmaster.com/dofjs.html

Zone System | Wikipedia Entry:
http://en.wikipedia.org/wiki/Zone_System

 



Week 6  

Lecture:

Photoshop:

  • Adjustment Layers
  • Levels Adjustment Layers
  • Histogram
  • Size / Resize / Resolution

PS Best Practice #1 - Duplicate the pixel based background layer as first step on opening a .jpeg.

PS Best Practice #2 - All adjustments to adjustment layers - no pixel damage.

Lab:

Assignment:

Continue working with bracketing as required/contact sheet design


Reading:

Henri Cartier-Bresson
- .PDF - 234KB


Artists:

Lauren Greenfield
http://www.creativephotography.org/education/educatorsGuides/girlculturefacultyguide/


Henry Wessel
http://www.renabranstengallery.com/wessel.html

Stephen Shore
http://www.masters-of-fine-art-photography.com/02/artphotogallery/photographers/stephen_shore_13.html

Todd Hido
Larry Sultan



Sites:

 

Week 7
 

Lecture:

Photoshop:

  • Curves - Adjustment Layers
  • Channel Mixer- Adjustment Layers
  • Size/Resize/Resolution
  • Shadows and Hightlights
  • Working with layers as masks

Assignment:

1st Critique- 10-15 images of your own work - looking toward portfolio subjects. If you haven't made any decisions it could be just images you have made since the beginning of the semester that you believe were good.

---

Contact Sheets of Brackets/Equivalents

Create a minimum of 3 contact sheets documenting bracketing exposure experiments.
- (6)

---
Review :
Photography - EXAMPLE FILES - Shooting Assigments
Bracketing
Equivalents (Shutter and Aperture side effects)
Wrap up current technical experiements

Artists:

John Baldessari
Sophie Calle
Nick Waplington
---
Michael Light
http://www.michaellight.net/


Week 8  

Lecture:

  • Roxio Toast - CD and DVD Burning



Photoshop:

  • Working with and around Selections
  • Photo Filters- Adjustment Layers
  • Sharpening
    Unsharp Mask
  • History Brush
  • Compositing
  • Extract
  • Selections - Paths (Pen)
  • Blending Options

Lab:


Critiques - 5 pnts.

5 Images - should represent beginnings of portfolio subjects either content or technique.

Assignment:

Subject explorations / Framing exercise.
- (8)

Shoot a minimum of 20 images of a single subject from every angle and a variety of compositional arrangements.

explore position/ balance/ background/ etc...



Artists:

William Klein
Lorna Simpson
Richard Prince
David Hockney


William Carlos Williams
Week 9
 


Wed:

Mid-Term Interviews - 5 pnts

The midterm interview is mandatory and = to a shooting assignment.

Prepare a selection of ideas for you your final portfolio. Write up a brief description of each and submit during the interview. Reference specific images within your home directory if you have images related to the subjects chosen for the final portfolio.

You are only required to show up for the time of your interview.

If you haven't signed up email me for a time.

Evaluation Form <--click here
(Please Complete and Submit from your home system)

Artists:

Diane Arbus
Lorna Simpson
Bernd and Hilla Becher
Gregory Crewdson

Reading:

Robert Adams - Truth
Robert Adams - Beauty

Sites:


10.21.09 - Shooting Field Trip to Windsor - 9 am - 12

Driving Directions

Link: 

<http://maps.google.com/maps?f=d&source=s_d&saddr=1501+Mendocino,+Santa+Rosa,+CA+95401&daddr=1001+McClelland+Dr,+Windsor,+CA+95492-9597+(Starbucks)&hl=en&geocode=%3BCYvjm1ic4HB-FeAzTAId9fit-CHxucJg9Fzg0A&mra=pe&mrcr=0&sll=38.530872,-122.796908&sspn=0.277166,0.484772&ie=UTF8&z=12>

 

Start address: 1501 Mendocino Ave Santa Rosa, CA 95401 End address: Starbucks 1001 McClelland Dr Windsor, CA 95492-9597

 

Start at: 1501 Mendocino Ave Santa Rosa, CA 95401

 

1. Head north on Mendocino Ave toward Carr Ave - 0.4 mi 2. Turn left at Steele Ln - 0.5 mi 3. Turn right to merge onto US-101 N toward Eureka - 7.4 mi 4. Take the exit toward Central/Windsor - 0.1 mi 5. Merge onto Los Amigos Rd - 39 ft 6. Turn left at Old Redwood Hwy - 0.2 mi 7. Continue on Windsor River Rd - 0.2 mi 8. Turn right at Bell Rd - 371 ft

 

Arrive at: Starbucks 1001 McClelland Dr Windsor, CA 95492-9597




Week 10  

Lecture:

    Photoshop: Printing

    Processing a Digital Image.pdf


    Printer Profile File Names: profilenames


    Printing Demonstration - Epson R1800 / 1280

    - Sharpening
    - LAB Color Mode/Luminance Sharpening

    Printer :

      • Resolution (review)
      • File Preparation
      • Color Management
      • Color Modes

      adobe RGBsRGB

    • Papers

      Surface/Finish
      Texture
      Color
      Weight

    • Random Photoshop tools

      - ruler
      - skew/perspective Tranformations for barrel or pincushion distortion (not parallax) see ref:
      http://en.wikipedia.org/wiki/Image_distortion

    • Text - Typography
      Text tools
      Vector graphics

     

Assignment:

Printing
5 prints - 5 pnts. - 8x10 minimum - (9)

Lab:

Printing continues through to the end...


Additional Printing Resources:

http://www.basearts.com/curriculum/PDF/ - see contents for various PDFs

Epson R1800 Printing Guide


Device/Paper Profiles - additional resources http://www.basearts.com/Res.Printing.htm

Device/Paper Profiles - additional resources:

INTERNATIONAL COLOR CONSORTIUM
The purpose of the ICC is to promote the use and adoption of open, vendor-neutral, cross-platform color management systems.
The ICC encourages vendors to support the ICC profile format and the workflows required to use ICC profiles.

http://www.color.org/iccprofile.xalter
http://www.color.org/resource2.xalter - Resource Center

MOAB PAPER
http://moabpaper.com/icc-profiles-downloads/
http://moabpaper.com/profile-use-and-installation/

Ilford Paper Profiles
http://www.ilford.com/profiles/index_en.asp?type=profile

Inkpress Paper
http://www.inkpresspaper.com/howtouse.asp


Red River Paper
http://www.redrivercatalog.com/profiles/index.htm

http://www.redrivercatalog.com/profiles/downloads.htm
-----------------


Print Permanence
- An Epson White Paper -
http://www.epson.co.jp/e/technology/print_permanence_basics.htm

Color Field Guide - how to install and apply
Epson's ICC Profile Guide

Red River Paper -How to Install and apply profiles.Epson(PC)
Red River Color Profiles -How to Epson(MAC)


Digital Art Supplies (San Diego based, print supply )
http://www.digitalartsupplies.com

PS Print (LA based commercial printer)
http://www.psprint.com/
Preparing files for print - Pagemaker, Illustrator
http://www.psprint.com/helpcenter/preparingyourfiles/digitalcheck_pm.asp


---------------local printers santa rosa

Jeremiah's Photo Corner
http://www.jeremiahsphotocorner.com/Jeremiahs_Photo_Corner/Welcome!.html

Skylark Images
http://www.skylarkimages.com/

The Lab
http://www.thelabsantarosa.com

Lenny Eiger
http://www.eigerphoto.com/index_ep.php

Week 11

 

  Lecture:
  • Photoshop: Printing



LAB:

Critique - Current progress on portfolios - (5 pnts)
------------
Printing continues through to the end...

 

Artists:

Harold Edgerton
Richard Avedon
Irving Penn


Edward Burtynsky

Week 12

 

Lab

Camera RAW
HDR - High Dynamic Range Imaging
Stiching - Photomerge


Resource Links for Camera Raw and HDR -& software



Lab:

Critique - Current progress on portfolios - (5 pnts)
------------

Assignment:

3-5 images of light
- (10)

- Pre-Visualization
- sensitivity toward the lighting conditions(less focus on subject)

Reading:

Resource Links for Camera Raw and HDR -& software



Revised Printing Handout :
NEW AND IMPROVED!

PROCESSING A DIGITAL IMAGE.PDF



Week 13
 

Lecture:

 

 

Reading:

Susan Sontag Melancholy Objects.pdf


Artists:

Diane Arbus
Jeff Wall
Richard Barnes


---

Matt Williams Collection of composition links:

Rule of Thirds
http://digital-photography-school.com/blog/rule-of-thirds/

More on the Rules of Photography
http://macteens.com/magazine/features/fullstory/the_rules_of_photography/

Holding your Camera at an Angle
http://digital-photography-school.com/blog/hold-your-camera-on-an-angle/

Rules for Landscape Photography
http://digital-photography-school.com/blog/4-rules-of-composition-for-landscape-photography/

Diagonal Lines
http://digital-photography-school.com/blog/using-diagonal-lines-in-photography/

Converging Lines
http://digital-photography-school.com/blog/converging-lines/

Foreground
http://digital-photography-school.com/blog/pay-attention-to-foregrounds/

Framing
http://digital-photography-school.com/blog/framing-your-shots-photography-composition-technique/

http://digital-photography-school.com/blog/5-elements-of-composition-in-photography/

Assorted:

Rule of Thirds

http://en.wikipedia.org/wiki/Rule_of_thirds
http://en.wikipedia.org/wiki/Image:Rule_of_thirds_1845_George_Field_Chromatics.png

Golden Mean

http://en.wikipedia.org/wiki/Golden_ratio

http://www.cambridgeincolour.com/tutorials.htm

http://www.cambridgeincolour.com/tutorials/camera-lenses.htm

http://www.cambridgeincolour.com/tutorials/hyperfocal-distance.htm

Week 14
 


- Wed. 11.18.09 A Studio Day -

we will meet in in 1261 at the usual time but will migrate to the Analy Hally Photo Studio (second floor room 796 - last room on north end of the hallway) at 10 am for a show and tell session with strobes, hot lights, and related hardware ...


Family of Angles from:
Light--science & magic: an introduction to photographic lighting
By Fil Hunter, Steven Biver, Paul Fuqua
Lab

Critique - 5-10 Progress toward final subjects

Review images of light.

Printing continues ...


Photo Sharing

http://www.webshots.com/
http://www.dpchallenge.com
http://www.flickr.com/
http://www.slide.com
http://www.kodakgallery.com/
http://www.snapfish.com/
http://www.shutterbook.com/home/
http://www.deviantart.com/
http://www.zoto.com/
www.smugmug.com



Commercial Collection:
http://gabrieljeffrey.com/
 
http://www.imagebychristos.com/
 
http://vixpetportraits.com/
 
http://www.studio-ca.se/ 
http://dirkrauscher.de/
 
http://www.reneadler.com/
 
http://www.tedmorrison.com/
  
(Director API driven)http://www.indyrain.com/ 
http://www.sambroadbent.co.uk/
 
http://www.accesi.lv
 

LOCAL:
http://www.svenwiederholt.com/
http://www.peterkoval.com/
http://www.nadavkander.com
http://www.jockmcdonald.com/
http://www.milesaldridge.com/
http://www.marcleclef.com/



Network Artists :

Lynn Hershman Leeson
http://www.lynnhershman.com

George LeGrady
http://www.georgelegrady.com

John Maeda
http://www.maedastudio.com/
http://dbn.media.mit.edu/
http://www.maedastudio.com/indexold.html
http://acg.media.mit.edu/people/maeda/

Ted Nelson
http://www.iath.virginia.edu/elab/hfl0155.html
http://xanadu.com/
http://ted.hyperland.com/

Lev Manovich
http://www.manovich.net/bio_00.htm
http://www.manovich.net/
http://en.wikipedia.org/wiki/Lev_Manovich

Victoria Vesna
http://www.bodiesinc.ucla.edu/

Timothy Druckrey
http://users.rcn.com/druckrey/
http://users.rcn.com/druckrey/texts.html


Week 15  

Lecture:

Batch and Automation

Legal / Copyright Issues

Protecting your images
Respecting the work of others

Legal and Photorelease - Handout

Photographers Rights - pdfs

Photography - Model Release Examples

------------
Usage and Licensing (GETTING PAID)

American society of Media Photographers

(National)
http://asmp.org/

American society of Media Photographers

(Local)

http://www.asmpnorcal.org/


Reading:

Artists:

Thanksgiving Holiday
Week 16  
Lab

Internet Presence / Websites
  • Image Ready
  • Optimization
Text - Typography
  • Text tools
  • Vector graphics
Shooting Field Trip to Graton:

Wed. 12.02.09


Map:
View Directions to main st, Graton CA in a larger map
Artists:

Margaret Bourke-White
Tina Modotti
Immogen Cunningham
Nan Goldin
Sally Mann
Sherry Levine
Judy Dater
Annie Liebovitz
Graciela Iturbide

Research:

There are some plug-ins and presets that have been removed in Photoshop CS4.
Specifically:

• Picture Package (ContactSheetII)
• Web Photo Gallery (WebContactSheetII) plus presets



Optional plug-ins and ReadMe
If you wish to use these plug-ins and presets still you can find them in your Goodies folder on your DVD install disc or available via this link to Adobe Downloads:

http://www.adobe.com/support/downloads/detail.jsp?ftpID=4048 : Windows/PC
http://www.adobe.com/support/downloads/detail.jsp?ftpID=4047 : Macintosh

The following plug-ins and associated files are included in this package:

• Bigger Tiles
• Picture Package (ContactSheetII)
• ExtractPlus
• PatternMaker
• PhotomergeUI
• Web Photo Gallery (WebContactSheetII) plus presets
• script for Layer Comps to Web Photo Gallery
• Texture presets for Texturizer

Week 17   Lab

Business - Usage and Licensing (GETTING PAID)

American society of Media Photographers

(National)
http://asmp.org/

American society of Media Photographers

(Local)

http://www.asmpnorcal.org/

Photojojo -

Starting Your Photo Biz… Part 1: You Sure ‘Bout That?
http://photojojo.com/content/photojojo-original/starting-photo-business/


Starting Your Photo Biz… Part 2: What’s In a Name?
http://photojojo.com/content/photojojo-original/photo-business-name/

Starting Your Photo Biz… Part 3: The Nitty-Gritty Business Details

http://photojojo.com/content/photojojo-original/starting-photo-business-details/

Starting Your Photo Biz… Part 4: Fame and Fortune

http://photojojo.com/content/photojojo-original/photo-business-marketing/


Week 18

 

Final Critique

Presentations of selections from individual portfolios 10-20 images. = 10 pnts

Final Exam is here --> TEST
Reading:

New section : Research

dpBestflow / American society of Media Photographers / Best Practices Resource:
http://www.dpbestflow.org/


Walter Bejamin, "The Work of Art in the Age of Mechanical Reproduction", 1936 - Excerpt translanted by Harry Zohn