Digital Photography Location: Class Schedule: Lecture/Lab – Tuesday - Thursday 4
- 7 PM Instructor: John Sappington - john@basearts.com |
Overview Schedule Resources |
Online Syllabus: http://www.basearts.com/DigitalPhotoDVCs05.htm
DESCRIPTION:
This course is an introduction to approaches and techniques of digital imaging
that focus on the use of the digital camera and digital darkroom. The course
will cover the technical and practical aspects of the digital camera, and the
use of image editing software (Photoshop), covering traditional darkroom concerns
and exploring the particulars and potentials of the digital image.
Recommended Technical Texts:
"The Photoshop CS Book for Digital Photographers", Scott
Kelby, New Riders Publishing, 2004
www.scottkelbybooks.com
"The Photoshop Book for digital photographers",
Scott Kelby,
New Riders Publishing, 2003
www.scottkelbybooks.com
"Photoshop 7 Professional Photographic Techniques",
Janee, Nyree Costello, Gavin Cromhout, Vikas
Shah, friends of Ed, 2002
www.friendsofed.com
"Photoshop 7 for Windows and Macintosh",
Elaine Weinmann, Peter Lourekas, Peachpit
Press 2003
www.peachpit.com
Photography,
Barbara London, John Upton, Ken Kobre, Betsy Brill, Prentice Hall
or
Photography, Revised Edition,
Henry Horenstein, Russell Hart Prentice Hall
Required Supplies / Equipment:
A digital camera is required.
Students are required to obtain backup media to store class example files and work in progress.
Optional media types are:
- 250MB Zip disks
- CD-ROM , Write-once or Re Writable: Approx. capacity 700+MB
- DVD ROM, Write-once or Re Writable: Approx. capacity 2-4 GB.
Students are also required to have an e-mail account. This can be accessed through the lab and may be a free account like those available from Hotmail, Yahoo, Freemail, Excite, etc. The instructor will assist students in obtaining an e-mail account if necessary only on the first day of class. Students will be expected to check this e-mail account at least once a week. General class announcements will be reported via e-mail.
EVALUATION:
50% of student grades will be based on class participation. Students must attend class in order to effectively participate.
40% of student grades will be based on the completion of assigned exercises. These exercises will not be graded for skill or content, but will be checked for completion. Incomplete assignments will be considered undone.
10% of student grades will be determined by averaging grades on three evaluative class assignments and one final project.
ATTENDANCE POLICY:Students are expected to attend all of every class meeting unless they have received prior permission from the instructor. Attendance will be taken at the beginning of each class meeting. Anyone absent when attendance is taken will be assumed absent from the class. If you are late to class it is your responsibility to make sure your attendance is acknowledged by talking to the instructor.
If you are intending to drop the class, it is your responsibility to drop the class. You should not assume that the instructor will automatically drop you because of absences. If you stop attending classes and you do not drop the class, and the instructor has not dropped you from the class; the instructor may be required to give you a grade of F for the class.
Digital Photography Schedule Course Outline - http://www.basearts.com/DigitalPhotoOutline.htm (subject to change)
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Week 1 |
Syllabus Overview - Expectations, Requirements, Objectives, |
Assignment: Email account exchange - email my account (john@basearts.com) with Digital Photography DVC Spring 05 in the subject line for the purposes of a class email list.
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Reading: |
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Week 2 |
Lecture:
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Lab: Assignment: |
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Reading: |
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Week 3 |
Lecture: Camera Operation - Exposure basics |
Lab: Assignment:
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Reading: |
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Week 4 |
Lecture:
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Lab: |
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Search Artists: |
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Week 5 |
Lecture:
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Lab: Assignment:
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Reading: White: Whiteness and Race in Contemporary Art Bill Owens: Leisure Recent Exhibitions Archive - ICP George Eastman House -
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Week 6 |
02.15.-17.05 |
Lecture:
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Lab:
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Search Artists: The conceit is half Blair Witch Project, half Paul Auster; 'Laura,' an artist working as guard at the Vancouver Art Gallery, makes art out of allowing visitors to her website to take charge of the museum's cameras and see what she sees. 'Sometimes I wonder whether more happens because I'm watching or whether events line themselves up for my benefit or something,' she reflects in her first diary entry on the site, dated September 1, 2004. Every few days, something new is posted, including video clips from the day's observations. These have slowly coalesced into a mystery of sorts, as the narrator obsesses over the interactions of the milieu's recurring characters--a detective, a skateboarder, an odd woman. True to that initial entry's promise, as you watch the narrator piece together the clues, you can never be sure whether something is 'really' going on, or whether it's in her head. Nevertheless, all the references to Blow-up, The Conversation and other fictions in which the observer becomes the observed make one guess that Laura's job is about to become even more interesting. . . . - Ben Davis New
York Times Photo archive |
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Week 7 |
02.22.-24.05 |
Lecture:
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Lab:
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Van
Gogh spent the last few weeks of his life in the town of Auvers-sur-Oise
. He often
painted in these
wheatfields. The cathedral in the distance was also the subject of one of his
more famous paintings.
He lived in a tiny hotel room in which one could barely place a bed ( that in
itself would be enough to depress a person).
He went there because a doctor who was a friend was treating him. He and his
brother are buried in a cementary adjacent to the wheatfield. The photo was taken
shortly after sunrise. Lanford (aka. Lanny) Adami |
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Search Artists: |
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Week 8 |
03.1.-03.05 |
Lecture:
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Lab: Assignment: Composite - 1 in 5 - Create one image file from the components or pieces of minimum 5 image files. Create multiple variations on the composition at will. |
Reading: Tuesday, March 22, 7:30 pm - Gallery opens at 7 pm 2005 Members Portfolio Review: Saturday, April 2, 10am-12:00pm Open to Camerawork members free of charge, each participant may reserve one or two 15 minute review slots with the reviewers. Space is limited and reservations are accepted on a first come first serve basis. Reviewers are:
Search Artists: |
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03.08-10.05 - Slipping Week 9 to Week 10 - Composite Review for 03.08-10.05 |
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Week 9 |
03.15-17.05 |
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Lab: Assignment: |
Reading:
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Week 10 |
03.22-24.05 |
Lecture: "Action" Flash
Tutorial by Brandon Smith
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Lab: Assignment:
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Reading: This book has alot of filters for diffusion. http://www.bhphotovideo.com/bnh/controller/home?O=productlist&A=details&Q=&sku=45184&is=REG This book has more colors. http://www.bhphotovideo.com/bnh/controller/home?O=productlist&A=details&Q=&sku=45189&is=REG Only have to pay $.01 plus shipping ($4), no gimmick.
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03.29-31.05 - Spring Break |
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Week 11 |
04.05-07.05 |
Lecture:
Reading Discussion |
Lab: Assignment: Be sure to also experiment with the flash in daylight. What impact does
it have ... ? |
Reading:
Digital
Art Supplies
Search Artists:
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Week 12 |
04.12-14.05 | |
Lab: Assignment: |
Reading:
Search Artists:
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Week 13 |
04.19-21.05 | Lecture: Thursday: Discussion "Thinking about photography: Debates, historically and now.", Photography: A Critical Introduction, Edited by Liz Wells |
Lab:
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Week 14 |
04.26-28.05 |
Lecture: |
Lab: Assignment:
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Reading: Search Artists:
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Week 15 |
05.03-05.05 | Lecture:
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Lab: Assignment: |
Reading: Search Artists: |
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Week 16 |
05.10-12 | Lecture: Protecting your images
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Lab: Assignment: |
The
Free Expression Policy Project Search Artists: |
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Week 17 |
05.17-19.05 | LAB
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Reading: BUSINESS / MEDIA & ADVERTISING | May 9, 2005 BUSINESS / MEDIA & ADVERTISING | May 9, 2005
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Week 18 | 05.24.05 | Final Critiques Presentations of selections from individual portfolios 10-20 images. Beginning at 4:00 |
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Reading: Photo
Guide Japan
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