Digital Photography
ART 82 - 4186
Spring 2004

Location:
Room 1261

Class Schedule: Lecture/Lab – Wednesday 4:00 - 7:00 PM
Office Hours: 3-4 Wednesday, 7-8 pm by appointment.

Instructor:  John Sappington - john@basearts.com

Overview
Schedule
Resources NEW!

Course Syllabus

Online Syllabus:  http://www.basearts.com/DigitalPhotoSRJC.htm

DESCRIPTION:

The exploration and analysis of digital imaging techniques as applied to the art of photography. Traditional and new electronic photographic methods are studied as a vehicle to understand the implication of this new media from concept to execution. Emphasis is placed on the creative process while exploring electronic image making as an effective mode of communication used by photographers, artists and designers today.

Outcomes and Objectives:

Explore digital photography.
Use the tools of digital and electronic photography.
Employ creative thinking skills in assessing visual images
Develop skills in manipulating photo images with new tools
Examing past work for relevance
Practice aesthetic criticism

Topics and Scope:

Synthesize digital tool manipulation with photographic images.
Produce work using a variety of computers and digitizers.
Investigate how digital tools change photographic images.
Analyze the work of current artists and designers using these tools.

Assignments:

1. flatbed scanning techniques
2. printing procedures
3. combining text with scanned graphics

Recommended Technical Texts:

"The Photoshop Book for digital photographers"
,
Scott Kelby, New Riders Publishing, 2003
www.scottkelbybooks.com

"Photoshop 7 Professional Photographic Techniques",
Janee, Nyree Costello, Gavin Cromhout, Vikas Shah, friends of Ed, 2002
www.friendsofed.com

"Photoshop 7 for Windows and Macintosh",
Elaine Weinmann, Peter Lourekas, Peachpit Press 2003
www.peachpit.com

Required Supplies / Equipment:

A digital camera is required.

Students are required to obtain backup media to store class example files and work in progress.

Optional media types are:

- 100MB Zip disks

- CD ROM, Write-once or Re Writable: Approx. capacity 700+MB 

Students are also required to have an e-mail account.  This can be accessed through the lab and may be a free account like those available from Hotmail, Yahoo, Freemail, Excite, etc.  The instructor will assist students in obtaining an e-mail account if necessary only on the first day of class.  Students will be expected to check this e-mail account at least once a week.  General class announcements will be reported via e-mail.

EVALUATION:

50% of student grades will be based on class participation.  Students must attend class in order to effectively participate.

40% of student grades will be based on the completion of assigned exercises.  These exercises will not be graded for skill or content, but will be checked for completion.  Incomplete assignments will be considered undone. 

10% of student grades will be determined by averaging grades on three evaluative class assignments and one final project.

ATTENDANCE POLICY:

Students are expected to attend all of every class meeting unless they have received prior permission from the instructor. Attendance will be taken at the beginning of each class meeting. Anyone absent when attendance is taken will be assumed absent from the class.   If you are late to class it is your responsibility to make sure your attendance is acknowledged by talking to the instructor. 

If you are intending to drop the class, it is your responsibility to drop the class.  You should not assume that the instructor will automatically drop you because of absences.  If you stop attending classes and you do not drop the class, and the instructor has not dropped you from the class; the instructor may be required to give you a grade of F for the class.

Digital Photography
Schedule
(subject to change)

Course Outline - http://www.basearts.com/DigitalPhotoOutline.htm

 

 

Internet Resources-Links


Week 1
01.14.04

Syllabus Overview - Expectations, Requirements, Objectives,
Best Practices.

Assignment:

Email account exchange - email my account (john@basearts.com) with Digital Photography SRJC in the subject line for the purposes of a class email list.


 

Reading:

Review Internet Resources
http://www.basearts.com/resources.htm

 
Week 2
01.21.04

Critique

Assignment:

20 images - However you can get them here - in whatever media ... It's a come as you are photo critique!


 

Reading:

Course Outline - http://www.basearts.com/DigitalPhotoOutline.htm

Search Artists:

Diane Arbus
Robert Frank
Chuck Close
W. Eugene Smith
David Hockney
Henri Cartier-Bresson


Week 3
01.28.04


Critique

 

Assignment:

WARM UP

Visualize photo you would like to take. Write up brief description and submit. Make the photgraph. Describe the photo and present.

---

Make decision regarding Tracks 1 or 2, or submit draft proposal toward alternative track. Choose first topic and begin by taking 5-20 images of a subject and bring them in for review.

If you are having problems deciding I would start with the self portraits begin photographing yourself /your immediate environment.

 

Search Artists:

Tina Modotti
Mary Ellen Mark
Sally Mann
Cindy Sherman
Nan Golden
Eudora Welty

SF Camerawork - SF Photography Gallery
http://www.sfcamerawork.org

Week 4
 
Lecture: Vision/ Light / Digital Imaging / Camera Basics: Camera
    • Light
    • Vision
    • Camera - Digital vs. Analogue *film
    • Aperture
    • Shutter
    • CCD/Super CCD/CMOS
    • Lens
    • Basic Controls
  • Transport / Storage
    Core File Issues
    • Size Dimensions
    • Resolution
    • File Size (storage)
    • File Type
    • Compression
    • Bit Depth

 

Photoshop Intro - Best Practices

  • File Browser
  • Image Size / Resizing
  • Resampling
  • Embedding File Info
  • Layers Introduction

Review/Critique as required

Assignment:

WARM UP Continues... Reviews

 

Search Artists:

Eadweard Muybridge

Reading:

New Photography Resources
http://www.basearts.com/resources.html#photography


Week 5
02.11.04

NO CLASS

February 11, 12
Professional Development Days (no classes, limited services)

February 13
Lincoln's Day Holiday



Shoot your head off - you have a break !

 

Search Artists:

Henry Wessel
Linda Connor
Regan Louie
Richard Misrach
Lee Friedlander
Catherine Wagner



Reading:


New Photography Resources
http://www.basearts.com/resources.html#photography



Week 6
02.18.04

Photoshop Continues: Basic Raster Tools - Creating Selections and Manipulating

  • Marquee
  • Move
  • Crop
  • Magic Wand

Review/Critique as required


Review current progress regarding tracks and warm up excersise.

 

Search Artists:

John Baldessari
Richard Prince
Sherry Levine
Richard Avedon
Bruce Weber
Irving Penn


Reading:


Henry Wessel Exhibition @ Rena Bransten Gallery in SF
http://www.renabranstengallery.com/wessel.html

First Handout - John Berger - excerpt from: "Ways of Seeing"

Week 7
02.25.04

Photoshop:

Luminance / Color Corrections

  • Adjustment Layers
  • Curves
  • Levels

Assignment:

Warmed Up - # 2
Photograph an existing Photograph (advertising, newspaper, poster, signage) in its existing context. Attempt to frame it so that the original context is disrupted or expanded.

 

Reading:

Search Artists:

Joel Meyerowitz

Week 8
03.03.04

Photoshop:

  • Burn / Dodge
  • Clone
  • Healing
  • History


Discussion


Warmed Up Continues... Reviews

 

Reading: Ways of Seeing Excerpt ...cont.

Search Artists:

Jerry Uelsmann
Misha Gordin
Moholy-Nagy
Fredrick Sommer
Robert Adams
William Klein

Week 9
03.10.04

Mid-Term Reviews

Assignment:

Evaluation Form (Please Complete and Submit from your home system)


 

 

Week 10
03.17.04

Photoshop:

  • Compositing
  • Vector Tools
  • Text Tools

 

  • Automation Techniques - Presentation

Mid-Term Reviews Continued...as required

Warmed Up - # 3

8 Images in One
- Through creative framing, croping and compositing create a minimum of 8 images from a single source image.

 

Reading:

Excerpt from Seeing and Writing 2 - Appendix B - "On Reading Visual and Verbal Texts"

Week 11
03.24.04

Photoshop: Printing

  • File Types - Reviewed
  • Color Management
  • Resolution
  • Pre-Press File Preparation
  • Proofs / Printing Options from w/in PSD


Assignment:

Warmed Up - #3 cont...



Working toward print for Student Show - choose one image to be included in the Student Show as print.
8x10
8.5x11
8.5x14 - Legal
13x19 - Super B - Analy Hall ART Lab Printer

Deadline 4.21

 

Reading:

Continued...
Excerpt from Seeing and Writing 2 - Appendix B - "On Reading Visual and Verbal Texts"

Week 12
03.31.04

Photoshop:Printing


Discussion

Assignment:

Beginning Proof Prints


 


Search Artists:


David Levinthal
Duane Michaels
Regan Louie

Week 13
04.07.04

Printing cont...

Lighting

- Utilizing Ambient Light
- Backlight
- Flash Modes
- Corrections with Photoshop



Proof Prints Continued...

 

Reading:

Photography: A Critical Introduction
,
"Thinking about photography, Debates, historically and now"

Search Artists (German):

Bernd and Hilda Bechner
Andreas Feininger
Sigmar Polke
Karl Blossfelt

New Web Links:

http://www.artphoto.ro/
http://www.photoeye.com
http://www.galleryprint.com
http://www.eyestorm.com
http://www.photoarts.com/gallery/
http://www.grafphoto.com
http://pixiport.com
http://photographica.com
http://www.webgallerynyc.com
http://www.internetmedia.com/ashowkase/
http://www.imrg.com

Week 14
04.17.04


Spring Break


NO CLASS



   
Week 15
04.21.04

Photoshop: Web Output

  • Image Ready

Discussion
Photography: A Critical Introduction, "Thinking about photography, Debates, historically and now"


Student Show Deadline

 
Week 16
04.28.04

Photoshop: Web Cont...

  • Optimization
  • Automation Techniques

 


 
Week 17
05.05.04

Legal / Copyright Issues

Protecting your images
Respecting the work of others



Preparations for Final Output - LAB

Week 18 05.12.04

LAB

Review Portfolio Requirements

Final Critiques

Week 19 05.19.04

Final Critiques